Selected by David Wheatley
In the fourth installment of The Wake Forest Series of Irish Poetry, curated by 2008 Vincent Buckley Poetry Prize-winner David Wheatley, five Irish poets – the experimental Trevor Joyce, religious celebrant Aidan Mathews, elegist Peter McDonald, modern poet Ailbhe Darcy, and Irish speaker Ailbhe Ní Ghearbhuigh – receive their official publication debut among North American readers.
In the anthology’s preface, Wheatley notes that despite his chosen poets’ regional variance and differences in age (37 years separate Joyce, the eldest poet in the collection, and Ní Ghearbhuigh, the youngest), his selection takes care to evade “questions of generational groups and territoriality to explore a series of related but distinct issues” in each of the five bodies of work. In this he is successful: the anthology is a latticework of themes, from troubled love, as seen in Joyce’s defiant “I will not die for you” and the raw honesty of Ní Ghearbhuigh’s “Ciaróg” (“Beetle”) to national identity in Mathews’s “The Death of Irish” and McDonald’s evocation of transatlantic dreams in “A Fall.” Darcy responds to artists old and new – Elizabeth Bishop in “The Art of Losing” and Lady Gaga in “Telephone,” respectively – with such equal gravity that time itself is reduced to a shadow.