Review: MasterVoices Shows that There's Still Life in Gilbert & Sullivan's IOLANTHE in the 21st Century

Maybe the Met should stop thinking about THE MERRY WIDOW and DIE FLEDERMAUS when it takes a turn at operetta—let alone the bevy of comic operas by Rossini and Donizetti that are given more than their due on a regular basis—and let Gilbert & Sullivan (G&S) have a turn at bat.

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