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Guy Ritchie’s “Wrath of Man” has a proper opening credits sequence, with classical illustrations of angels, lions and other dramatic biblical scenes juxtaposed over slow-motion images of anguished men, bass strings groaning relentlessly. It’s time for some heavy-duty masculine myth-making melodrama, a fable of men, guns, tragedy and revenge; a burly, entertaining entry into the “dudes rock” cinematic canon, as imagined by Ritchie in rare form.