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Recorded in 2010, Prince’s first posthumous album of all unreleased material is a state-of-the-union concept record in which he bluntly broadcasts his opinions on taxes, technology, drugs, religion, and the music industry.
Prince has some great protest songs—“Sign o’ the Times,” “1999,” “America,” “Ronnie, Talk to Russia,” and “Love Sign,” to name a few—but he was never a great protest songwriter. Amid all of the dizzying ups and downs of his four-decade career, one of the few things that remained constant was his willingness to put subtlety and artifice aside if there was a message that he felt needed to get across, be it “Abraham Lincoln was a racist,” “Let’s take all the guns away,” or “Don’t let your children watch television until they know how to read.” He had some good points, and he could be passionate in his conviction and poignant in his starry-eyed pleas for peace, but the intricacies of his songs about love, sex, and God didn’t always carry over to his polemics.

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