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The great German writer-director Christian Petzold has a number of recurring fixations: women in trouble, doomed romance, the specters of a grim past hovering over an unsettled present. In film after mysterious, melancholy film, he’s shuffled and reshuffled these noirish elements, placing them in revealing new configurations even when he sometimes relies on the same faces. In his brilliant 2019 drama, “Transit,” Franz Rogowski and Paula Beer played two almost-lovers caught in a kind of temporal loop: It was a wartime melodrama that kept running in circles, turning its characters into captives of history or genre or both.