Lila Lee-Morrison on Kids and the surplus of the image - Artforum International

IN 1994, WHEN I WAS SEVENTEEN YEARS OLD, I spent a summer with my friends filming a movie on New York City’s Lower East Side. It was called Kids and was directed by Larry Clark and written by Harmony Korine. During its shooting, I lived with my best friend at the time, Chloë Sevigny, who ended up playing the main character, Jennie. The film’s costume designer had sublet her Second Avenue apartment to Chloë, and I moved in with her. It was the first time either of us had had keys to a place we could call our own, even temporarily. At midnight, we would go downstairs to shop on the sidewalk between

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