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A first-hand account of how artistes record performances for the virtual audience
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A first-hand account of how artistes record performances for the virtual audience
Sitting in a large auditorium full of empty seats and watching an eminent artiste perform is an exceptionally strange experience for a rasika. In a sense, it is a way to know what it takes to challenge the old and create anew. Understanding how artistes and organisers are grappling with the new normal is especially important today when the classical arts are struggling with a deep isolation and audience disconnect.