Transcripts For KQED Charlie Rose 20240622

Interested in he was interested in the soul. I never read slylight and i started reading it. And i read about ten pages and i thought i hope the rest of it is this good. I hope it doesnt get bad. And it just kept Getting Better and better and better and by the end i was in heaven. Rose a look back at the year in theater when we continue. Funding for charlie rose is provided by american rose funding for charlie rose has been provided by rose additional funding provided by and by bloomberg, a provider of multimedia news and Information Services worldwide. Captioning sponsored by Rose Communications from our studios in new york city, this is charlie rose. Im past patiently waiting passing and smashing ef reexpectation every creation. Laughing in the face of casualties im thinking past tomorrow im not going to waste my shot im not going to waste my shot im not go throwing away my shot because we going to rise up we going to rise up, rise up time to take a shot rise up, rise up time to take a shot time to take a shot take a shot time to take a shot time to take a shot im not throwing away my shot not throwing away my shot off. Rose lesley odom, jr. Is here. What brought you to hamilton. E best jobs you get inat this career, in this business you didnt audition for. You have no idea how you got there. So i just asked tommy last week, cuz i have this superstition, sometimes if i get a straight offer i dont want to kind of ask how it came about. Rose tommy being the director. The director, yeah. I dont want to ask how it came about because im afraid they might realize, you know, why did we ask this guy. So i got invited about two years to do a reading of the show. And i had seen it at vasser. I had seen them do about a half an hour of the show at music stands. Maybe 45 minutes. And was blown away, so when i was invited to do the reading, i prepared like ive never prepared before. I mean i came in. I knew all my music. Because i knew what they were working on. Rose you knew it had powerful potential. I mean yeah, i knew how it affected me, you know. And you know, lin is only ayearolder than i am. So this is our music. You know, i recognized the rhythms and the sink passion and the the iofsyncopati, o n and the pulse of the piece t has been in my ears since i was born. Rose people wondered when hip hip hiphop what come to broadway because rock had come to broadway. Yeah. An lin was so influential with that too. In the heights happening and being such a watershed moment for hiphop music and for also latin american actors. I remember listening to in the heights on i listened to it before i saw it. And there was something about, i have chills thinking about it i told him and lac as one of the first rehearsals, there was something about from the first moments of that album. I mean the need to communicate is something that has always moved me greatly. I remember i saw a show when i was a teenager called deaf poetry jam. And the way those people came out and just they needed you to get it. You know, they put something, there is blood in the pen. They put something down on paper and they have there was an urgenessee and a fire in their belly for you to get it. It came full circle when i was listening to a rehearsal of us and hamilton listening back, just learning my part. I said we sound like that. We sound i can hear that need in what were doing. Rose i hear all that you all the need, all the desire, all the energy, all the preparation to do justice to the text that you were given. How much of it was important to know aaron burr . Very. Rose because you not only play a character, you play the narrator. You were there at every moment hamilton has a larger role but burr is also the continuity. One of my favorite gifts that people give sometimes, fans will bring us books that they will find on articles, theyll find on ebay. I will say the name steve and ronda hawthorne have given me more than anybody, right. They come by with these articles that they order and books that they order. And those have helped me a lot because i would not call myself a historian by any means. I mean lin at this point is. Lin has read enough about all of the different people and the events surrounding it that hes been able to come up with his own opinion on the events. Cuz i think thats what makes it historian. You read ron chernows become and that is the only opinion you have if you havent read anything else. I have read enough on burr now to come up with my own theories and may own. Rose because there are different opinions on aaron burr. Yeah. Rose some good, some bad. And then i also, at the end of the day, the text in the show was my bible. Right. I have to play what lin wrote and lin has. Rose but you have to pour into what hes written what you know and what youve experienced and what you feel. And what i and what i believe, you know, as far as what my job is as a performer. You know, thats another one of those things that this is intersected. Its come at the right point that im ready to theres a certain amount of vulnerability that this show requires of me that i was not ready to embrace at any other moment in my life. Theres a certain amount of honesty that if im doing my job right, i bring to the stage every night. And that is you know, that comes with time. Rose this play hamilton, this musical, people are talking about it as changing the american musical theater. You know, im a spiritual guy too, you know, this work is, you know, its emotional, physical, theres a spiritual component for me too. And i just i, cuz i seen it from the inside, charlie. And i will tell you, theres a great deal of it that those guys, andy, lac, tommy, lin have planned within an inch of its life. I mean those guys are meticulous and you know, we were so happy it opened because it forced them to put their pencils down. They will keep perfecting it until somebody forces them. But theres also theres the part that they had nothing to do with. There is something else. Rose and what is that . Its whatever happens, its the space in between you and i. Its whatever happens between me saying it on stage and how it affects you. And what it does to you. Thats the part that none of us have any control over. None. You couldnt pay jimmy fallon to go see to go see our show and talk about our show the way he did the next night. You cant pay for that. I hope that the audience comes and feels lake their presence is vital. Rose earlier we had talk toed writer, composer and star of hamilton Lin Manuel Miranda and its director thomas kail. They joined me in april and heres a look at that conversation. You sit in a room for six years making somethingment and you have the wildest dreams version of how you think a show will be received. And were experiencing that. So we are just trying to hang on while we can. I started writing this in 2008 while i was still in my show, in the heights. I was on vacation, my first vacation from the show and i picked up ron chernows book at random at borders just knowing that. Rose you went up and said i will take this one. It had great reviews in the back. I knew he died in a dual and so i knew it would have a bang ending. And fell in love with the story, really, that, the dic ensian nature almost from the second chapper. Rose at the point you say dickens, dickens and dickens, what was the dickensian aspect of his life. Alexander hamilton was born in neves, possibly out of wed lock. He was his father split by the time he was ten years old. His mother died in bed with him a few short years later. His brother was apprenticed so to a black smith so he was by himself. He got sent to live with a cousin after his mothers death, the cousin killed himself and he bot put in charge of a trading charger, he was a clerk for a company that traded sugar cane, the key point of the triangle trade in st. Croiss. And he wrote his way off the island. There was a hurricane that had ravaged stcroix and he wrote a poem about it describing the carnage saying that he saw sights that would strike astonishment into angels. This poem was used for relief efforts for the island and people took up a fund to get him an education rose so here we have a character, a great american. We know theres drama that he died at the end of a duel. In which he may not have, in fact, fired his gun. Lots of differing opinions on that. Rose speculation, all right. So here we have that story. But you translated it into so much more. Tell me about the ideas that you wanted to pour into this to make it a new look at the founding fathers, the american experience, and a different way of presenting presenting it that would appeal to young people because youre peopled by young actors. Well, you know i mean you speak to what we were really conscious of which is how do we eliminate any distance between our story and now. We know that the story was going to be set thenment but we knew it would sound like now. And we knew that fundamentally this was a country that was founded and created by immigrants. Somebody, somebody in all of our lines stepped off a boat or some former transportation put their foot down on this soil and went to work. And so as we started thinking about taking the inspiration from rons book, we thought okay, here are a lot of events but we have to tell a story. So we had all of the events laid out. We sort of both read the book and made our own time lines. Then we would compare. This really spoke to me. This moment feels like its essential. So then he you have those things to build around it just became so apparent early on as we were really designing how the show could function that this idea of doubling characters, for instance, felt really right on. That the character who played la fayette, one of his great friends. Also plays jefferson. They both have this connection to france. They both have this relationship, one antagonistic, one supportive. So how can we make the audience feel like who they are and what they understand is actually not so different from what these people were struggling with. Rose hiphop seems like a genius stroke now but thats what you knew. Thats the first thing i checked, by the way. So i read two chapters of this book and i go someones already done a hiphop version of this. Because it felt to me the quintessential hiphop narrative. This is someone who grew up in hard times and wrote his way out of his circumstances. Wrote his way towards a better life. And that is the hiphop narrative from the south bronx in the 70s to today. And so i googled hamilton hiphop musical. Rose and it was not there. It was not there am and so thank god, now you google it you will see my show. But that was the first thing that jumped out at me was this is a fundamental hiphop story. Rose the lyrics go i am just like my country, im young, scrappy and hungry, and im not throwing away my shot. Charlie rose is rapping. I hope were rolling. Rose were rolling on everything. But you perform that at the white house. Yeah. I performed the opening number at the white house, actually, the Alexander Hamilton, the opening number of the show, yeah. Rose before we see that, is that what the president responded to when he said quitener should see this. Yeah. Yeah. I told i told the a essentialed audience this was my first time performing the song in public. I, they had asked me to perform something from in the heights and i said i have 16 bars about the first treasury secretary and they allowed me to close out the show with that. And his response was somebody got to get geithner in here because you know. Rose he thought of geithner as hamilton or what . He had a quote at that time because the economic crisis had just, everything had just blown up. And he said geithners got the hardest job as treasury secretary since Alexander Hamilton. I think that was his quote on the record about what geithner had ahead of him. And this is very early in obamas administration. We performed in may of 2009. So you know, they were just figuring out how to do this thing. How to get us out of the hole we were in. So i think he was tickled by the fact that i had made a treasury secretary sing. And he wanted to show the treasury secretary. And that song was from burrs perspective point. So he also performed it from burrs point of view. So it got a laugh about halfway through. Rose where did that idea come, burr, aaron burrs perspective . Well, honestly, i look to musical theater history. We have a great tradition thanks to Andrew Lloydwebber of the antagonist narrating the story. Judas far rates jesus christ superstar. That was immediately where i went. And that set up a very difficult task for me of figuring out who aaron burr is, who is as we say in the show, a villain in our history. He is known as the guy who shot. Rose you think more of him. I do after learning a lot about his life. And i have to find my way in because there are a lot of biographies of burr, there are several. Rose gore wrote a historical fiction novel. His burr is a lot craftier than mine. But one of the things i learned about burr was he is an early feminist. His daughter received an education greater than any man of that era. He was very close with his wife and with his daughter. He was as he was on the Mission Society with Alexander Hamilton for the abolition of slaves in new york city, in new york state. And so there are redeeming characteristics to this guy. I had to find my way into that because every biography either is insanely defensive of him orville i fews them. Rose they were different in the voluming way which you know better than anybody. Because on the one hand, aaron burr was amazing. He was cautious, careful, laid back, alexander ashow is at the moment when burr is finally reckless and lets go and hamilton is cautious and throws away his shot, one kills the other. And that is how they are remembered forever. One of the things we were and i think and hamilton knew they would be bound forever, and whether that would whether that would insurance his legacy of someone who then had to be spoken about. He had become slightly obsolete at this point. This is someone who had thought about death so often in his life and here he was towards the end, not empowered, not able to affect change in that way. And we talked very early on and i think again to the credit of the writing and leslie odom who plays burr, we said we have seen a lot of stories about two enemies who shoot at each other. Lets make a story about two people who were very dear and complex friends and one of them kills his friend. Soldiers, lawyers, statesmen together. They. Rose admiring of each other. Yeah. Rose you thought about playing burr. Yeah, every time i wrote a burr song i said man, i should be this guy. I mean you know. Rose because he was the narrator or because because he gets all the best songs in the show. And as you will see, leslie is now you watch the show, you cant imagine me playing the role because it really fits leslie like a glove. But he gets these wonderful moments, you know. One of my favorite being the room where it happens, where he is talking about not being in power. And seeing hamilton trade away the capital in exchange for his Financial Plan and being like how am i not in this room. How am i not in the room where it happens. Rose take a look at this, this is you at the white house in 2009 performing the first rap song you wrote for hamilton. Here it is. Fourth son of a whore and a scotsman drops in the middle of the forgotten spot if the caribbean impoverished, in squalor, grow up to a hero and a scholar the 10 founding father without a father got a lot farther by working a lot harder by being a lot smarter by being a selfstarter by 14 they placed him in charge of the trade and charter and then being slaughtered and carted away across the waves, hamilton kept his guard up he was longing for something to be a part of the brothers then a hurricane came and it rained a man saw his future dripping down the drain he connected to his brain he wrote his first refrain of his pain word got around they said this kid is took up a collection to send him to the mainland get your education dont forget from where you came and the world is going to know your name whats your name. Alexander ham toil hamilton his name is Alexander Hamilton. There are a million things he hasnt done but just you wait just you wait he was ten his father split, full of it, debt ridden, two years later alex and his mother bedridden half dead sitting alex got better but his mother went quick moved with a cousin. The cousin committed suicide ined pride ith nothing but omething new inside alex you got to fend for yourself he started retreating and reading there was nothing left to do for someone we have been dead and destitute without a sense of restitution started working, clerking for his late mothers landlord trading sugar cane all the things he cant afford every book he can get his hands on planning for the future see him now as he stands on the bow of the ship headed for a new land to new york, you can be a new man the ship is in the harbor now see if you can spot him another immigrant coming up from the bottom his enemies destroyed im the damn fool that shot him. Rose there you go. Thats unbelievable. Right. Rose could this ever have been done, i mean its almost like if they didnt have their it had to be invented and created for this. Oh, wow, thank you, that means a lot. There is a lot of i think the score is both a lev letter to both hiphop and musical theater there are a lot of references to both embedded throughout but youre right t is this heightened language and we learned really early on in the process of making it that any time we dip mood ode speech, into proceeds, energy just kind of went out. Like we kind of had this ball we throw in the air so high at the top with this opening number that we kind of have to keep it at that level, a lot of the show. And there are a lot of times when we take musical breaks and slow it down and speed it back up again. But this heightened language seemed to be the only way to sort of convey hamiltons worldview. Rose did you once say that hamilton reminded you of tupac. Yeah, yeah. I think he in that he embodies so many contradictions. He is both thoughtful and boys trusion. He is both brilliant and selfdestructive. In certain ways. You know, he would get into fights that in retrospect why are you fighting with that guy. And that is what i think when i think about tupacs life who was so brilliant and embodied so many Different Things to so many different people. I think hamilton carries that many contradictions with him. Rose Eugene Oneill is one of the greatest playwrights of the 20th century. He is the only american dram test to have won the nobel prize for literature, called the father of American Theater paving the way for arthur miller, Tennessee Williams and tony kushner, the iceman cometh is one of his most powerful plays. Oneill described it as a big kind of comedy that doesnt stay funny very long. Joining me now are two Tony Awardwinning actors at the centre of this production. Nathan lane who plays hickey and decline dennehy who plays larry slade. Im pleased to have them at the table. Welcome. Thank you, always a pleasure. Rose there is a story that i read that you saw that this production was going to take place and you said this is right for me. I want to be hickey. And you notified the director. Well, yes, there was it actually started with ken branaugh who said to me you know, nathan, you cant just talk about these great parts. You have to do them. And he said. Rose did you say to ken ive never thought of that. And he said if you do, you will learn a great deal and it will be life changing. And it doesnt matter what anyone says. And then i read an interview ten years later, i read an interview in variety with brian and bob falls and they were skrusing potentially maybe revisiting the iceman cometh. They had done it in 1990 together when brian played hickey very, very successfully. Rose oneill character brian hasnt played yet. I dont think there is he has played most of them and quite brilliantly. And so when i heard them discussing this and with brian taking on the role of larry slade this time, i wrote an email to bob falls even though i didnt know him very well to say i would love to play hickey and heres my reasoning. And fortunately he responded positively and we got together and started discussing how we could do it. Rose how do you see hickey . Well, you know, when i read the play when i was a kid, when i had gotten the collection of eugen oneill plays and i read the ice machine cometh, i was drawn to the character of hickey because of the description that oneill writes, that sounded a little like me. He was he describes him as short and rolly poley with a button nose and a twinkle in his eye. You know he always writes these very long descriptions of characters, rather too specific for everyone to live up to. But what he created, i thought and what i was bringing up to bob in my email was you know, its defined by Jason Robards. He was the Gold Standard and he and quinn taro in 1956 when they did the revival off broadway defined who that character is. And it was a very dark, much darker than say the original production in 1946. And jason brought this sort of mischievous malevolence and kind of an otherworldly quality to it. And i was saying to bob, wouldnt it be interesting taking what oneill has said about him, the notion is he loves these guys. And just as he, you know, he ultimately says he killed his wife, that it was an act of mercy out of love, he has come to help them. And change their lives and bring them peace. Unfortunately, its he feels the only way to do that is for them to kill their illusions, their pipe dreams as they are so often called. So i thought it has to come out of that. It has to come out of love. And not that hes trying to destroy them but hes trying to help them. And in a way thats pore disturbing. And the fact that it is a joyous thing when he arrives. And that its so offputting that this person that they loved so much is driving them to this to do this thing. And for him its sort of he is in a kind of semi dilutional state. And he feels that this is this last act which will, i dont think bring him an sol use but it is a way to prove to him ando himself that he what de was right. Of course ultimately his pipe dream is that he did this out of love and that. Rose hes doing it for them. Yeah. Rose is this a different hickey than you conceived when you played hickey . Oh yeah. I mean every great role, its interesting. When i started working all i know was jason rob ards along with everybody else. And so when we started rehearsal and this is a long time ago, almost 30 years ago, i guess. I said im just going to do Jason Robards. It was not so easy to do. And finally i realized that after a few weeks of coming up with bad Jason Robards experiences, i said no, i cant do that. And i came up with the happiest guy in the world, this sony salesman of death. And big smiles all the time and big hearty laugh and slowly it becomes obvious to the audience and to the people on stable that this guy is selling something thats not quite as advertised. But. Rose but is he selling it out of love . Sure. I mean he it there is an interesting discussion that goes on constantly with people like ourselves who deal with this play and these characters. Just how crazy is he. Is he crazy enough to know exactly what hes doing in terms of embracing his craziness or is he not crazy. Well, its interesting. He sort of compartmentalizes all of these things. He knows he has to turn himself in. He knows hes going to make a phone call to the police. He knows that. He knows what he did was wrong technically, you know, that shooting your wife in the back of the head in the middle of the night, thats technically wrong. And he knows he must be punished and ultimately thats what he really wants. He wants to be punished. This is what he always wanted from his wife. But she wouldnt. She kept forgiving him. And it is this sort of unhealthy codependent relationship where she keeps forgiving him and he does love her. Thats the other theme of the play. If the one theme is a man cannot live without his illusions, the other theme is how does love and hate coexist in a person. The interesting thing, the only way, the only thing, can stop her from forgiving him is to make sure shes dead. Otherwise she would forget him. Before you pull the trigger, i forgive you. But it is about its an unraveling. In the fourth act when he famously recounts, in order to prove to the group that he was right, he recounts his life story and leading up to the night of the murder. And as hes going along, he doesnt he wasnt planning on telling this story but then he has to. Hes driven to do this, to prove to them. And these revelations start happening. And its like a therapy session. Someone says tell me your life story. And you start. And you start to talk about things that you didnt expect to talk about. And then it takes you someplace else. And it takes you. And you think maybe i was wrong about that. And maybe i was wrong about this. And then as it slowly he slowly starts to unravel as hes revealing more and more about this awful, his own selfloathing and his shame about what he did to her. And i think you know, he finally convinced himself that that was the answer. I mean its like a story you would read in the new york post. And you would say do you believe this happened. And yet it did because you know, were human. Rose has doing this done all the things for you that ken said it would do for you . Without a doubt. Without a doubt, he was right. It was prophetic. Rose but that was ten years ago. Yes, yes, well, it took awhile to get me to chicago. And to get this, look, i instigated the whole thing. And i was you know, fortunately it was a huge success in chicago which lead to us doing it at at the perfect venue, the harvey theater and this Extraordinary Company, we must talk about this, this Extraordinary Company of ackers that charles discussed it is a Remarkable Group of people. And i think thats what is also making this so special. But yes, it has lived up to those expectations and more. It has changed me. Rose you want more. Well, sure. Who wouldnt. I mean you know, you know, i know there are certain look, anyone in show business, there are certain preconceptions about them. We think we know them because of some two or three things they did that were successful and oh thats the person i know. And i felt at my age that i needed, that i had more to offer. And wanted to chall ing challenge myself and i certainly wanted to do it with bob and brian. I knew thats the way to do it. Rose heres what bob says about you. It is a mark of brian that he sort of moved through these oneill roles and he knew he was the right age for slade. Yeah, i guess. He is referring to the british system whereby the brits start out playing a young man part and moving up and doing the same thing over and over again. And i guess its true. I feel very comfortable with larry slade. Especially since he sits on his ass throughout the whole play and doesnt move, tries to keep the circulation moving. But its a really interesting, complicated part. Rose character. And many ways its as complicated if not more so than hickey. Because although hickey has all the hard to do, larry has got some stuff to work out, especially with the kid. An its a similar situation. Its a parallel track except in larrys case he finds out that the real generous thing to do is to make sure that this kid kills himself which he assists him in doing. Were talking about oneill world here. Rose a dark world. Very much so. What is really interesting about the darkness of it, it was written about the same time he was writing the family play. Which was apparently an ordeal for him, very, very difficult in california. And he wrote a letter to a friend in new york said i have had to stop work on the family play, its much too complicated. Im suffering. I have to do something different. So im writing something now which really makes me laugh every day. Im having the most wonderful and well, he did love these guys. This was at a point in his life when he was in his early 20s and he attempted suicide in this place, the that harry hope saloon is based on, that and the golden swan which had a back room called the hell hole. And these guys saved his life. The character based on, the character jimmy tomorrow, a scottish reporter who saved his life when he attempted suicide. So i think that was always in the back of his head to write this play about this group of men, most of the characters in the play are based on real people that he knew. Rose . And lived with except for hickey actually am and then he was did you know he was reading, neisch carrying around the birth of tragedy. Rose while writing this. Yeah. I think he was obviously its influenced by other plays by the wild duck and lower depth but yeah, neisch was a huge influence on this play. Rose did you do all this insight into oneill after you got the part or were these things you had been interested in and curious all along and had been studying. Well, i was interested in the play. And then as, when i knew i was going to do it, the year before i started doing a lot of research about the play. Rose once you naw you were going to do it. Yeah. Rose they say to do oneill is tough like climbing mount everest. Who says that. Rose you dont think thats true. Of course its true. Of course it is. Rose do you know why you get there some nights and dont and can you predict it. Why you get into the zone. Rose yeah. Because you said some nights you cant get there. You see where the zone is and you get there a little more technically. That i dont know why because its not its not science. Its just human chemicals youre pouring in. And as much as you prepare, sometimes there is some youre in a very specific moment, a quiet moment and someone in the audience goes and that can you know, that can throw you. But thats what live theater is about, you have to its about trying to keep a large group of people from coughing. As someone once said famously am you know, its about concentration and focus and hopefully. Rose did you prepare more for this than anything you have ever done. Without question. Rose woe wo question, because it was a leap. Its a huge leap for anyone, even your most serious of actors. This is a degree of difficulty that is up there with am. The other thing too along those lines is that he is not the most adept writer of phrases. Hell back up on himself on a phrase, it doesnt necessarily come out as easily as it should. Mary mccarthy who was a famous critic for the new yorker back in the 40s and who was the curse of a lot of playwrights always said the same thing about oneill, as she did about drieser and some others. That they were not good writers but they were great writers. Meaning that they were not particularly fassel with the language or the characters and the verbs and the knowns, in a way for example that say updike was. Rose well, they were great at understanding the human condition. Well, they insisted, certainly oneill did, insisted on going to the deepest darkest parts. Arthur miller who i was privileged to work with, we talked about the differences between a lot of these playwrights. And he always said that oneill was the deepest diver and that he wasnt interested in he was interested in the soul. Rose thank you for coming. Thank you for having me. Rose thank you brian, pleasure. Thanks. Rose bill nighy is hear, the british tabloids dubbed him the thinking wells trumpet. His career spanned several decades in television, film and theater. Let me ask about three relationships, okay . First is Michael Gambon, what is your relationship with him,. Michael gambon, when i was young, he used to creep up hine me in the canteen of the National Theater and Say Something toso profane that i cant possibly repeat it. But the it was encouraging. He with Say Something good. He had seen me in a play and said something good. And that would get me through the next 18 months. He was the one i saw up ahead who i responded to. He was a modern actor, a contemporary actor. Rose what does that mean . It manies that he wasnt somehow he wasnt condition fined by any of the conventions of performing that were around at the time. He was kind of ready call in d apart of the fact that he is touched by genius, i mean i know thats the cliche of off cliches but i feel it to be true. And he has thrilled me. And when i first saw slylight, for instance, which he created this role, i kind of sword fenced all the way home. When you were a kid and you saw a sword fencing movie or went to see a gangster movie you would jump over t was exactly like that. I was thrilled and i remember feeling obscurely proud that i did the same job an those people, my next person is david hare what is it about you two. It is the great good fortune of my career is my association with david hare. It started when i was 30 and en i read the first thingh that i ever read by david hare it kinds of rang in me in a way that i think with great writing or great art, it often does. Which it was almost as if it were familiar to me. It was as if if you had given me time i would have got around to saying those things. It chimed in terms of its of its kind of attitude to the world with things that i was already thinking am but the elegance and the beauty and the wit, he writes the best jokes in town, was something that was very, very kind of familiar to me am and it was very it was the first time i had read a contemporary script where it really blew me away. And that association, i mean david counted recently and i think its ten, weve done ten things together now. And i treasure that. Rose on the stage, theatre, film and television. Yeah. Rose some ackers tell me that they they readily accept a part if its scares them. Yeah. Well, yeah. I mean when i was younger i used to turn them down. If they were scary, turn them down. And i would invent some fancy reason for turning them down. But in fact it was just then i got real and i started to take jobs which apparent leigh i had invented as apparent leigh out of my range. And then so things started. Rose what is an exam aisle example of that. Slylight is a pretty good example, i had turned it down three times, because hi seen Michael Gambon play it, one of the greatest things i had ever seen as i said. I would turn it down with my agent and dave hare would call me personally and i would hear the sound of his advice and a okay, okay, okay, im coming. With dow want me. Rose i thought you were going to Say Something like if if david hare called me i woon take the call. No, no. I would take the call and then he would say what was all that about. I dont know, im coming, where do you want me, when do i have to be there. And that happened with slylight because i thought, you know, you have got to be kidding, in those days. Rose why would you do it again . If you have already done it. I did it again because this is a question to which i dont absolutely know the answer. But i will speculate. One is that i wanted to do a play and there arent many plays that i want to do. Its a great role. I wanted to do it originally in new york. I figured that justified it because i had only ever done it in london. Then it turned out people couldnt do that. So i did it in london which was wonderful. I loved the play with all my heart. I think its a brilliant thing in the world it hadnt been produced majorly for a long time. David had kind of protected it. And you know, i love it. So i figured. Rose what do you love about it . I love the fact that its its funny in a way that i find heartbreaking. Its i love the way that the broader issues are perfectly and invisibly integrated into the story of two people trying to come to terms with one another on a personal level. I love the fact that its like a its built like a bomb, its like a clock. Its beautifully put together so that it unlocks something in the audience so they go away hopefully full of hope and about personal relations and indeed about things more universal. I think its one of the rare occasions where those two things are beautifully integrated, as i said. Rose you didnt want to do it because of michael Michael Gambon if i watch a performance by him or by you do i see well, yeah t with be different, i guess. Its a long time ago. So i cant really remember am and i cant remember may 1st performance of it either. So i have fond memories of the people involved and a lot of the off stage stuff but i cant actual leigh recall much about the performance. So im not repricing anything. Its not like what i imagine opera is right where you have it in your head an turn up and deliver. Its a brandnew production and steven doddry who say brilliant and wonderful man and sensational director has really differed something beautiful, and the set, everyone will tell you t is one of the post beautiful sets i have ever seen in my life. Its a beautiful pec age, you foe. Rose how could you say no. Well, quite, everything was attractive. Scott and robert, my favorite producers, paul on the sound is a genius, Natasha Klein who lit it, its just bathed in intelligent light as i like to quip with her. Everything about it is just beautiful. Rose you say to her bathe me in intelligent light. I didnt actually ask for it but that is what she z and sassoon as Carey Mulligan became involved it is for real. Rose case closed. Issuess completely and utterly britiant and i love her with all my heart. Just to get it out quick, put it out there so everybodys clear. Shes just an assassin. Rose i think so. Roll tape. Take a look at this. You used to tell me that you had this great gift. I remember you prided yourself in what you called your Man Management skills. And yet you still treat people as though they were no better than they demanded a driver, thats what he does. You know full well that drivers done drav. The greater part of their lives she spend waiting. Its what they expect. Frack for a start is very well paid. Hes sitting in a spacious limousine listening to kiss 100 and reading what is politely called a mens interest magazine. You have seen the weather. Have you seen the snow about to come down. Dont give pe all that. Frack has a better time sitting in a warm mercedes than he would be in first of all you call this is it, this is the problem. This ridiculous selfriotousnes it is only going to get worse once nothing to do with my teaching. It has nothing to do with the work that i do. Its a way of respecting people. Frack isnt people. Frack isnt people. Frack is a man doing a jock. These stupid gestures, nothing to do with what people might want. They want to be treated, respected for the job they are paid for, not looked down on as if they were cronically disabled, as if they somehow needed help. This was the whole trouble with business in you. You look down always on the way we did things. On the way things are done am you could never accept the nature of business, finally thats why you had to leave. Well, i must say. I mean. I never naw that was the reason. All right, im sorry. I never knew that was why i had to leave. I put it badly. Badly . You did. I thought i left because your wife discovered i had been sleeping with you for over six years. I mean well, yes, that as well, that played a part. Rose Carey Mulligan is here currently in broadway in david hare skylight lite. Her costart said shes dead on, imago lat, impeccable. Her performance lead to her first tony nomination along with six others for the play. David hare who is if this is his creation, said about you if i was starting a National Theater with an d, i would start aroundvier her. That would be a nice adventure shall wouldnt it within that would be such a good adventure, yeah, i would do it david. If he asked. Rose what is it about david that made you want to do it with him. He is just such an extraordinary writer and just a wonderful person. Weve had the privilege of getting to spend a lot of time with him on the play. He was around during rehearsals and previews and he is just brilliant. Hes very of the writer on this project because were working with the other director but hes just so giftedded at both. Rose what i love about him is the curiosity he has for the themes that he wants to do. Yeah. And hes i think thats why him and steven Work Together so well. Theyre both curious and owning all the time. Even in sort of trivial conversation theyre like that. Rose so you got steven to do this one. Yeah, yeah. And havent been done since bill did it. Rose when was that. 15 years ago, london, with Michael Gambon and Leah Williams an here with the same cast and bill did it in london. And then 15 years later we did it in london. Rose is this an instant yes when they called you . Yes, yeah, it is. The script is just so, i wanted to do a play. I hadnt done a play am i did an off broadway play in new york a few years ago which was an adaptation of Ingmar Bergman movie so, with david lavoe which was great, very dark and very difficult and i was just looking for the next play. And i always wanted to work with steven and i had never read slylight. And i started reading it and i read about ten pages and i thought i hope the rest of it is this good. I hope it doesnt get bad. And it kept Getting Better and better and better and by the end i was completely in heaven. Rose it was a character you loved. Yeah, completely. Rose you have to like her. Yeah, completely. And just to get to say, you know, its great, truly great writing. And thats the kind of writing you can do for 12 weeks in london and broadway and never tire of because there is some of to it. Rose is it different in london versus new york . Yeah, it is, yeah. I mean its a british play with a lot of british references and definitely the audience here react differently which is interesting. Rose so tell the story about tom and what their whats is the back story. So they met when keira was 18, my character is sell and he was a restaurateur in london married with children. And she started working for him and his family and his restaurant chain. And after a couple of years, she went to university and came back they started a relationship which lasted for six years, which his wife didnt know about. And after that six years, his wife discovered and she left. And so you are meeting them now three years after that happened. And theyre seeing each other for the first time. Rose keira left. And the wife and they stayed together. Rose and then she died. And she died. Rose and he ends up at your doorstep. Yes, on a cold night. Rose and you had a kind of drafty apartment. Yes, yeah. He is sort of living in a monday as particular lifestyle. Rose is she on the rebound or just simply found something that she can engage. I think she has found what shi wants to do with her life. I think initially probably it was a reaction to the lifestyle that she had with him which was affluent and privileged and in the chelsea world in long done and she went the other direction. But actually in that she found what she really wants to do with her life. Rose and then he shows up. And questions every single part of it. Laboriously for hours. Rose and what are the possibilities for her when he shows up . I think initially there is a possibility of them being together, yeah. Rose he spends the night. He spends the night and theres the possible of a rereunion but i think he always held at arms length the whole way through the play and as the play develops you see ultimately what it is that keeps them and will keep them apart. Rose why did she not want to reignite the relationship . Because because she. Rose . Because ultimately i think he broke her trust and broke it in such a significant way and that she had her heart completely broken and she would never be able to trust them again and she fundamentally knows that is true. He fact that he had broken her trust last time, he still had that in him. That he was still capable of that. There was no sick change in him. I mean some of of what is so great about the play is that you see some of of the history and so much nostalgia for what they used to have and they still have it but it also means they havent really changed. And to a degree she hasnt either and they cant compromise it is sort of a mix between lovely memories and also being in the exact same place they used to be. Rose here is a scene with you and bill cooking chili, here it is. What . No, really what are you thinking. Are you putting the chili in first . No, its just i usually, i fry the chili so it infuses the oil is. laughter aha . I see, i dont do that. I am doing it the way i prefer. Rose . That noise that he makes brings the house down every night. Rose this is when she is explaining her choice of apartment, roll tape. I have to tell you this place is really quite reasonable. Oh, really. As it happens i get it at a very cheap rent. I should hope so the fact is you have lost all sense of reelted. This place isnt special, its not emly horrible. This is how everyone lives. Please, please, lets be serious. No, i mean it. This is interesting. This is the halfway. It wasnt until i left your restaurant, the car patchio and ri cotta stuffed restaurant of yours t wasnt until i deserted that chelsea milieu. My memory you laked it pretty well. I do like it, yes, that is not something i would ever deny but it wasnt until i got out of your limousine, until i left that warm bubble of money and good taste where you exist. Thank you. That i remember that most people live in a way which is all together different. Well, of course. And you have no right to look down on that right. Youre right. Thank you. Of course, thats right. However, in one thing you are different, i do have to say, keira, in one thing youre different from everyone else in this part of town. How is that. You are the only person who fought so hard to get into it while everyone else is desperate to get out. Rose thank you, great to see you again. Thank you. Sit us crop line atpisodes pbs. Org and charlie rose. Com captioning sponsored by Rose Communications captioned by Media Access Group at wgbh access. Wgbh. Org rose funding for charlie rose has been provided by additional funding provided by and by bloomberg, a provider of multimedia news and Information Services worldwide. Report with Tyler Mathisen and sue herera. Harrowing and historic. Tumultuous move on wall street. The dow plummeting 1,000 points in early trading sending the s p 500 into correction territory. Economic shift, how the violence swings in the stock market may be i am mpacting the thinking ae feds. Its making me very nervous. Im approaching retirement age and my husband is already retired. Scary. Reality check. Money moves you should consider if youre retiring or nearing retirement and concerned about the market. All of that and more tonight on nightly Business Report for monday, august 24th. Good evening, everyone. Welcome. Im sue