Jayanthi Kumaresh tells stories through the veena
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Veena exponent Jayanthi Kumaresh’s new series attempts to catch listeners young
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Veena exponent Jayanthi Kumaresh’s new series attempts to catch listeners young
An insolent lion roams about in the forest roaring majestically — in Nattai. A peacock dances to the onset of the monsoon in Amritavarshini. A cuckoo tweets a song in Varamu. A grasshopper jumps about on a mound of hay in Kadanakuthuhalam. And Jayanthi Kumaresh tells little children stories, her fingers flitting gracefully over the frets of her veena.
Creativity explodes in different ways. While Carnatic musicians of yesteryear gave room to their creative instincts by letting themselves spontaneously present new phrases of notes in a raga or by evolving their own distinctive style (bani), musicians of the current age don’t seem content with that. They try multiple outlets. For instance, fusion: Carnatic jazz (Madras String Quartet) or Carnatic rock (Harish Sivaramakrishnan’s Agam band). Some simply entwine their traditional music with a ‘non-Carnatic’ instrument, like the piano.