Composer and multi-instrumentalist Eiko Ishibashi began her career in the ’90s, playing in bands like Panicsmile, but it was her 2008 record Drifting Devil that brought her to wider critical attention. Since then, she’s been releasing recordings that map a broad but connected series of practices: song albums like Carapace (2011) and The Dream My Bones Dream (2018), and movie scores, most recently for the Oscar-winning Drive My Car. Using a variety of instruments, field recordings and electronic generations and interventions, she creates aural spaces that feel physically real, both haunted and