Its japan. Europe africa a mixture of. Play goes nigeria population more than 20000000. 00 a small group of dances has arrived from germany they aim to create a new kind of ballet that will include the best of western and african influences. This creation of adventure is led by choreographer richard siegel. Plays the dance studio is now changing behind a gas station in the middle of an industrial area. The dances know each other some of the met while the project was in the Development Stage others have danced on stage with siegel for years. The beginning was incredible when they came on the music loud or else the n f 3 if they felt. Their energy is contagious i think theyre amazing. The choreography is done. And done and weve done it its a volatile r. Form and at times its useful. To see release some kind of Latent Energy which may still exist within the world. We have this downs thats choreographed we can teach parts of we can modify parts of that but it shouldnt its not just in one direction thats what im what im saying the important thing is exactly what has happened when we walked into the room and you guys were dancing and the music was good and we started going and everybody just started dancing and now im a sweaty mess and thats thats thats exactly. What we came for we have. A situation where are we can hybridize or as long as were open as long as we learn from one another as long as we are. Ready to translate and really see the other. Jenny a few months earlier the ballet of difference company was Getting Started the Diverse Group of dances are among the best in the world some left prestigious Dance Companies to work with siegel. People have come to work people have come because theyre because theyre passionate about dancing in general and about dancing together in this group specifically. And the ideas that are motivating. Siegal challenges the traditions and rules of classical ballet is special in his work you need text. Numbers that shes. Trying for. An album from. The 2 terms ballet on one hand and difference on the other. Appear to be oppositional they appear to be oppositional. On one hand ballet. If i say that word it immediately elicits ideas of conservation and of and of heritage in coded in in an in file it art form something that really that really has contour. And on the other hand we have this idea of different thats the world that we live in today very very much so and its messy. And its complex and its boundaries are not clear and its its still forming its its process its process and its passionate and contained within it a lot of energy and putting these 2 things together of difference of ballet of conservation progression of innovation and heritage. And makes a friction. Thats thats thats not only very productive but i think its very necessary i think thats exactly what we need. Images of diversity images of coexist. Images of power. Its a positive optimistic hopeful. Attitude toward our future. Of our art form and over society. That doesnt also discount perhaps the obligation for us as artists to also express friction uncomfortable moment that were passing through as a society in our steps toward a more perfect future. In 20 to one of the Good Institutes invited sequel to conduct a Dance Workshop in lagos that was a key point in the development of these major work uni takes. I was invited by the Good Institute to come and make something for their festival that they were that they were having there and they brought together a group of west african downstairs from all over and we were working in an old dilapidated printing factory in the middle of the city that was just one concrete open space. Of course there was a strong African Dance flavor vocabulary in the piece and traces of that are very much in the in the ballet and what gives it that certain guide thats very exciting to watch. What began as a workshop with African Dancers which i was making the movement and they were translating my vocabulary then underwent another translation process and ultimately became the ballet unit text. The public loves the performance and so did the dancers but Richard Segal choreography is a process so hes revising mccain to bring it closer to his original concept. So i think the best thing to do would be to just actually kind of pair you up and what well end up doing is well have well have you know 2 people doing doing the same thing but then i think were going to start to make little modifications to it as as a as it goes. In my case i have for. Thank you argue with frank who is a energy bomb. And then we have put a completely different bodies so my body i realize working with him that its really a rag i can squish in Different Directions and hes great in a locked its very strong so its that he he gets the steps in a different way sometimes and its a really interesting because i also dont speak french and when he speaks well hes basically im trying to count in french for him as well trying to translate basis just for the body so we dont we all have a spanish or to share chords on that big we have a directional. This. Is. Just one serious tricks for me to studios so when i do the flat it comes down to do do others. Have to work for it every day that. Ballet its not natural like its turning out like they have saying all of that its not natural self it is makes for saying. That she simply just its a little different because im more at home in African Dance afro dance. I have a dance school in ivory coast i do performance as a choreographer and performer. But my dance is african afro dance afro beat and all that. With richard its very different with richard its classical contemporary afro japanese march choreography its japan. Europe. Africa a mixture. You know im watching them work right now its really interesting because such some of some of the vocabulary of you know textures is quite electric now that in classical ballet by and large you always keep your shoulders over your hips fight like vertically and these styles of. Dance or african styles and what the 1st thing that im what im imitating what im trying to do the stats is there is the posture of yourselves and of course as soon as you bring your you or your shoulders in front of your soon to bend your knees and you can you and your lecture lecture but still bags theres a lot of movement potential. This. Is who got this group of african drummers coming tomorrow and i think it would be really interesting among other things to do it would be to actually change the music you know switch the music out see what happens and for that the best thing would be if we could push it a little bit further the choreography a little bit further so itself more more secure before we swap the music out. Siegel who lives in madrid and travels to various european cities to would productions. He 1st learned about afro caribbean dance in the late 1918 small study youll. Be a most himself in the citys dance culture and quickly realize the benefits that the diversity could bring to contemporary Dance Society has changed so fundamentally since you stopped listening to classical ballet as it is still practiced in many places segal felt compelled to reflect this in this kind of graffiti. So the 1st time we ran it with the drums i thought it was really on top of the of the counts anyway it was kind of in the council and the 2nd time i lost it becomes completely halfway through because we have certain accents also in the electronic feed that i yeah yeah i take as a cue yeah so. In the end i dont know my caribbean heart just came out. Of. Choreography that reflects todays multinational and multicultural societies that siegels trademark here and like us its easy to see how the contributions of dancers from diverse ethnic backgrounds can enhance a performance it doesnt matter where the dancers were born they find a common language of artistic creation the blues food boundaries. The job he was the freedom of the suppressor still experimental so what do you think itll be like bring it all to bring it all the best in those. Who got to win what he was led to do. That though this might be this small fees you know misuse it be affected my point exactly so youre like oh come on like 3 do anything like that now you will regain this into your piece thank you so much. Thank you but i do expect you know it today in the coming days more and more to let their vocabulary. Enter and survive into the choreography force were starting here because it gives us a good. Scaffolding on which to hang the other our other their passing but im sure thats the way that its go. Dancing is just given wings to begin with and they are now like this coming no no like we have to make it seem so our community would then have to change then we are educating them on dance to go from a show i teach kids today so that i think that this will come on its also dances dances dances like this do for us is everything. Lagos is often disparaged as a sprawling dystopian cauldron of a city but it has a rich cultural scene with concerts and open air performances like this one honoring the life and work of afrobeat pioneer 10 mph in. The sea a coexistence of life styles death styles and of cultures back and share the stage there in her. Own home her come from a. Rather different does. Give expression to the form for or for that diversity openness of. Spirit. Curiosity about the other or everything you know frankly with without discriminating without making a hierarchy that these things can coexist. Siegel recently staged the premiere of a new work called made for walking. Its an intimate chamber play and like unique takes the music is by some african poly rhythms. Hes working with polly with this which means that theres multiple resumes happening in the body at the same time and yet its been a challenge i think for all of us to go through that door. Just because when you think of like being a musical dancer and this are very new so this sort of like rounded out 8 count or 34 to 4 or something thats very kind of measurable and these are all over the place and like a 5 and a 7 and 8 and a 3. I have to kind of difficult so i keep it all in your head at the same time but at the same time its when my scientific experiment so breaks down something that actually will actually occur is like. He was saying. African songs and dances and like natural read them but to sort of break it down and counts and so that we can visually kind of play with it yeah exactly in each of their in their in their bodies theyre describing 2 rhythms and then those 2 rhythms are combining with the other ones as well so we get even more poly rhythm i just figured ok as long as we have 3 out of 4 of the dancers here as long as made for walking is based on the rhythm specifically african drum theory that its only fitting that we should we should experiment a bit while we have a big name for the drummer did this is for you but its just for the letters so you can connect can i see just just the hand phrase yeah. Yeah. Yeahs its a language. The language its only about. The talking drum talks improve on. The talking german tells you when it wants you to move your hand when one suits to move your legs so we dont just dance with listening to drama its like youre warming. Up i dont speak that language we need a bridge there with i did i explore this like trying to. Be yourself yeah. Thats really interesting listening to your own rhythm and being yourself and insisting on the integrity of your. Your way in and in the world that then he took that initiative was a very interesting choice for him to. Work as we were sealed up so thats what we did we tried to remember right there right then right there without the assistance of video of. Some of the tiriel and remits actually to you know to restructure. And on top of that we later in. This my music to. Try. To they became more incorporated in the body the things we learned the last 2 days yeah and all of this all these speeds this just kind of fused in my body with also the classical training because the last few days i was so i feeling bad for being a big classical and then today it just all came together and i wasnt really judging it. To. Be. The drumming it was for made for walking was about. Being yourself right about being yourself. And dance to your own dont steal redeem your own rhythm box yeah. Were going to meet its dont imitate him its just be yourself or do you own direction which is interesting because in the piece actually its a lot about following but its also a lot about leading up to saving time and always trying to find this useful measure between leading and following and the question the central question is who who will lead if no one follows and who will follow if no one the same way you lead it before if were going to do that were going to follow up odds with people who show you for you if your boss is really cool if you want to make music if you want to make music yeah. Its any theory. I like the idea of open and and like peaches have a good head and what also all of a adam said that you know oh. Let let it happen and let it affect you. What can i do i can bring together a group of of people of artists who share the attitude or at least we are cultivating the attitude were trying were trying. Were in a position to be making the world better. To repair the world. As one might say is our obligation. The idea of repairing the world is its not mine i inherited that. This is my own tradition of my parents the jewish tradition that i come out of to come along is that is the is the hebrew translation of of repairing the world. And i like it and i want to own that i can decide what values i want to own and the idea of repairing the world yes its a grand notion but. You know whats happening whats wrong with having values we all have that power culture belongs to only the people who decide to own it. Such. Place at full speed. With china. The but always on the moment the big. Moment maybe today and in the future. To. Be a small w. With a different languages we fight with different. Thats fine let me all stick up for Freedom Freedom of speech and freedom of press. Giving freedom of Choice Global news that matters w made for minds. Im scared that the a war thats hard and in the end is a me youre not allowed to stay here anymore we will send you back. Are you familiar with this. With the smugglers were liars. Whats your story ready ready. I mean when i was a women especially in victims of violence its. Part and send us your story we are trying always to understand this new culture. Another visitor another yet you want to become a citizen. In for migrants your platform for reliable information. Climate early and the good tourist guide such germanys booming capital i love berlin the scope of the multicultural metropolis in our duramax series the panel how to plan satellites or something. I love to show was a success in the 1st cuts waste like me despite says 50 nations 50 story and 50 very personal tips on berlins a very busy. Book now. Every week on t. W. Comes. This is deja news live from berlin a new era in green conservative radio host meets attacking sweeps to victory in the election promising feel its taxes and more jobs but can he really bring venture days for ordinary greeks the report from athens. The United States all the womens football world champions again they beat the netherlands to mill in the final in frauds to lift the trophy for the 4th time also in the program