where he was going. >> and powerless at home. >> absolutely. and as powerful as he was in his work life in the mob life, he had to deal with the same things that everybody has to deal with, the wife, the children's troubles. et cetera. >> james, i love the scene when the daughter, meadow, he's in the kitchen, the daughter comes in and walks past him like he's not even there, like the kids are quite good at that when they want to do that. you aren't there. and he couldn't do a thing about it. >> remember something about this show. i think one of the master strokes of "the sopranos" was that he went into analysis. what did the analysis do? it is the precise equivalent of the shakespearean soliloquy. it allows us to listen to his thoughts. that i thought was the most brilliant thing of all the brilliant things that david chase did. when he sat down in front of his analyst and began to talk, we were literally listening to the equivalent of a shakespearean soliloquy. >> was it all chase who came up