propaganda exhibition celebrating infrastructure improvements in nazi germany. the painter it seems had lost her artistic vision let's list. to get the first forest and certainly these landscapes were being powered by fear and by these machines and of course it was a time of enormous change especially with regard to the idyllic life of the past at the same time we know that the nazis were taking the weimar republic infrastructure projects out of the drawers and implementing the rules that we see the olympic road so of course the political picture is an indication of the changing times so changes not just to the landscape but also to the entire ideology of the time. during the nazi era gabriela minter included swastikas on paintings that she later hid under new layers of paint after the war she withdrew increasingly from public