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“A photograph is from a moment. Painting is about stopping to look at the world, considering it, and giving it more importance,” Damien Hirst once stated. Hirst started working on his iconic
Fact painting series in 2000. His mission with this project was to reproduce photographs in realistic detail through oil paintings on canvas as way to trick onlookers — a thought-provoking endeavor that champions his studio practice of challenging societal norms and consumerism.
Hirst mimicked numerous color photographs in this series and then went on to focus on developing three-dimensional objects under a similar series entitled
Fact Sculptures. Instead of just building intricate replicas of real objects, Hirst pairs unlikely pieces to shed light on the absurdity of their respective definitions. Take, for instance, his