IN 2018, staffers at South Korea’s National Museum of Modern and Contemporary Art received a condition report from hell. Nam June Paik’s gargantuan tower of televisions, which had stood for thirty years in the rotunda of the MMCA’s Gwacheon branch just south of Seoul, was at risk of catching fire, the Korea Electrical Safety Corporation said. So the museum stopped turning it on, and while it mulled restoration plans, the work’s 1,003 Samsung TVs sat dark.Developed in the heady years leading up to the 1988 Seoul Olympics, Paik’s piece went on view as the games began. South Korea was becoming an