As I have mentioned many times before, the crime thriller was one of the nucleus of the race of Korean cinema towards the top of the international stage it enjoys nowadays, with the number of masterpieces counting at the dozen. At the same time, however, and as is usually the case, the success of the top films of the category gave way to a number of mediocre titles that just tried to ride the wave. Kim Hee-seong, although not straying much away from the norms with "The Goblin", does try to make something different, The Goblin, Jo Dong-hyuk, Kim Hee-seong, Lee Wan