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All you need is love: Aida’s romantic heart eclipses tech innovations
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By Elizabeth Flux
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If you stripped away the plot of Giuseppe Verdi’s
Aida, leaving behind only the spectacle – the grand costumes, the triumphant music, the dancers, the epic sets – that would be enough to keep an audience’s attention.
With all the movement and colour on stage, it would be easy for the story to get lost. So it’s all the more impressive that, 150 years after
Aida was first performed, Opera Australia’s Melbourne staging brings new depth to the story, as well as adding to the visual grandeur.

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