2:40
“The most important element to get to a composition is the intention and concept behind it. I derive most of my concepts from esoteric teachings and experiences. I start by making a Foley or background sounds that that can help set the mood and inspire the music. Or even to play around with ‘mistakes.’ Experience has taught me to not always get rid of mistakes but on the contrary to highlight them.
“The mixing process is an important one; that's where I start telling the story as clear as possible and in tune with the initial concept behind the piece. During this process I strip away a lot of musical information to arrive at the essence of a piece. You could say I move from maximalism to minimalism.