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“WHAT CAN A BODY DO?” Gilles Deleuze names this as the central question of Baruch Spinoza’s Ethics, which places the body at the center of a philosophy of expression. The inquiry was motivated in part by Spinoza’s commitment to radical contingency—Deleuze goes on to suggest that “We do not even know of what a body is capable”—but it’s a question that feels broadly in tune with the artistic form known as sound poetry, which harnesses human vocality to newly expressive ends. Taken up throughout much of the twentieth century, with precedents dating as far back as humankind has been mouthing syllables,

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