All these trainers, coaches, ignoramuses, as i call them, yes, as they say, there, get out of your comfort zone, i say, yes, let me at least enter this comfort zone in order to understand where i can get out of, tell me, there is is there at least one sane grain there, or is it more of a window dressing, is it more of marketing, is it more of the same info, infocharlatanism, infofraud, when its gravy for you, with very clear nlp there neurolinguistic programming, technologies, with the aim of. Taking money from the population, they sell you some information , which you come out with, say, and that it was for the most part or not, or im wrong, if i now step on your foot with my heel , very strongly, i will stand, i will stand on your leg, the pain will be hellish , i will say, lets pump up the financial ceiling, how will this work, no way, because the focus of attention will go to the fact that it hurts you, and you tell me get off your feet, it hurts me, this is not about financial ceiling, when a person has a certain kind of problem, yes, it is difficult for him to think about financial ceilings and so on, he thinks about how to solve this problem, and if he found some kind of speaker, yes, who talks about the ceiling and so on and so on, and at least a small part of him was hooked and helped, god willing. You see, this is the story, there are no speakers here who can say some things, your patients who achieved success went through all these marathons of desires, growth schools there, well, these info, i dont know there, infobusinessmen, and what they say, well, they came to me in the end to treat their problems, their pain, which , that is, you say, walk, walk, then come to me more often and naturally, this is such a story, this is what, what are these marathons, its like motivation for something, but one person has a leadership component, such a charismatic component, the other doesnt, he doesnt need it, he needs something else, you understand, everything is individual, a marathon is generally accepted information, yes, as a belief, yes, how to see something, some example, how can maybe a push, a push, in part, but everything is very individual. There is theory, but there is practice, we go to cut out the appendix to a practitioner, and not to a theorist at the institute, so that he will cut our lives, svetlana, this is our whole concept of increasing levels in various spheres of existence, doesnt it lead to poverty of consciousness , that is, we become richer materially, we actually become consumers, we push ourselves to a higher level of consumption, and spiritual poverty, isnt there behind all this, there is no time left, this is very. Accurately noted the fact is that psychology is the science of the soul, we live in a society, yes, contact and Emotional Intelligence are important to us, what is this achievement of consumerism aimed at, and what . To buy a new thing , yes, to earn more money, but what about you, what about you, that is, we simply include Spiritual Development in one of the zones of growth points, that is, we. We definitely include an increase in the level of consumption in our Spiritual Development, too, that is, we begin to go to theaters, museums, study the history of cities, culture, architecture, this is a mandatory point of the program, this is mandatory, this is observation, this understanding, yes, that there is something else, observation is a good term, yes, tell me, svetlana, do you have such advice, thats what we said, our life hacks , you tell people, write it down. Thats all, you recommend that they write it all down so that they can read it sometimes, necessarily, because we come back, what is it, a person has a neural connection, what is it, experiences . Experience, yes, on which i rely, and i periodically look at how i can do it, and how i should think, yes, but the most important thing that i recommend to everyone is to pause between feeling and action, think, check this box, yes, think, this is what i really need, this is how i want to do it, or i dont want this do, he can write down his emotion, this will be the very necessary pause. At the same time, realize it, as you said, write it down, you know how to come, write it down, yes, you can do that, but at the moment when some situations happen, yes, for example, someone told you, you dont after thinking you go into effect, fly out of yourself, and start doing some actions, and when you stop, think about what to say, who are rich people, these are truly rich people, these are happy people, this is a state inside each person, a state. How do you feel, if i think, i drive, who offended me, who upset me, yes, i am all in these thoughts, in fears, i serve these fears and thoughts, all my energy goes there, point, realize the emotion, stop and do not take action, put it first, zero, before the information, yes, yes, 100 , to realize what is happening to me now, what i want , exactly to stop, this slowdown allows you to feel the feelings arising in the body, yes, it sucks in the pit of your stomach, for example, yes, this feeling, this is a state in the body, a feeling, and a feeling of what hunger, and the need to eat, so slowing down is a stop , that stop within yourself, to feel this feeling, how do i feel now, and how do i feel next to this person, and how comfortable am i with him . , or i step on my own throat, or i am i betraying myself . Everything, and when i give myself over, i start swallowing it all, swallowing it, swallowing it all, and the glass overflows, everything ends up in effect, great, lets sum it up briefly then, that is, the most important advice is not to act in a state of effect, that is, everything try to analyze your emotions, sort them out, determine where they come from, and most importantly, where they can lead, yes, but through understanding the other, why this happened, because everything happens. This is point number zero, next steps transition from poverty to wealth, the first step is an information drink, observation, that is, we observe, are saturated with information from examples, each of them we try on ourselves, the second step, after zero and first we do not see obstacles, we perceive each obstacle as a point of growth and we continue to move forward and never give up, and point number three, we record all our successes, we do not allow ourselves to belittle them and we do not allow others to belittle them. Naturally, rely on your opinion, knowledge, vision about yourself, but dont settle for less. And the last key point, yes, is to cultivate a specialist within yourself. The task is to be the best in your field, then you will be in demand, then you will have money. On this wonderful note, i propose to end our program, because the topic is truly immense, like psychology, like the human brain. Thank you very much svetlana. For the fact that today you revealed to us and gave us the first three steps and zero, and some final point, how to come to wealth, how to go from there state, well, there is poverty and lack of satisfaction, in which you are now on the path to success and prosperity, thank you very much, thank you for inviting me. Hello, this is the ezenstein125 podcast, i am film historian natalya ryabchikova, we are talking with my colleague, film expert artyom sopin about sergei ezenstein, and today we are talking about the incredible foreign travel and adventures of eisenstein and his friends in europe, the usa and mexico. Hello, and this trip, in general, divided einsteins life into parts and included a lot of things, despite the fact that it lasted, in general, on the one hand, not so much, not so little 3 years, during these 3 years isenstein managed to catch a lot of phenomena that by the end of the twenties were just leaving european culture, but he still caught them, which is called touch, touch, look, on the other hand, he had already very astutely noticed those features that would be characteristic of the thirties and forties, no longer leaving the soviet borders in subsequent years. Nevertheless, he meets in the Foreign Press or in the domestic press, meeting certain names mentioned, he said, and i already know this, i have already seen this, here it is, how it is developing now, and it was back in 30. In the thirty first years, it was an absolutely turning point, because eisenstein was invited to hollywood, invited to hollywood in 27, but he only went there in 29, and 29 is already a completely different world, this is a world on the eve of the collapse of the nyuk stock exchange, this is a world where it is no longer possible to imagine a movie being filmed, ezenstein may still be and maybe in soviet the union is still making silent films, but the whole world , including hollywood, is already working only on sound films, and thats what hes coming for. Sound films, to see what it looks like, because he was here in 1928. Soviet union, he wrote an article application, or rather, under it there are three names isenstein, pudovkin and aleksandrov, but as we know, pudovkin came to visit esenstein, they discussed the theses together, but the text was still dictated by ezenstein, and alekandrov simply followed them like i wrote it down after two, in general, this article, which the application is loudly called, just a proposal on how to use sound, so that on the one hand, not to lose the expressiveness of cinema with its editing, attention to detail, on the other hand, add sound as a new phenomenon, so that not just the sound is recorded, but so that the sound is, for example, moving a man on a train and so that we hear not the noise of the wheels, but so that we hear the noise of his thoughts, what he is now thinking about, and not necessarily as a personnel person, just like such an isenstein will continue to think about how to convey the structure of thought, this is his favorite topic, here we are about structure of thoughts, here sits this brilliant man, he was invited to hollywood, and he tells them i definitely need to go not. With my cameraman eduard tise, well, roughly speaking, from hollywood they tell him, well, the cameraman is important, okay , and then he says i still need to take my assistant, coauthor grigory aleksandrovna , and they tell him, what for, who is he, so he writes down some applications for esenstein, and in fact three people are going, very different , and one of them feels immediately a little disadvantaged, moreover, from einstein, from a family where children. Special teachers were hired, and english, and german, and french, and this is not his first trip, yes, he knows languages, he knows people who come to moscow, theodore dreiser, comes to moscow, and of course goes to visit esenstein, to get to know him. And in the fall of twenty nine, in turn, isenstein and his group come to europe, why, because in the soviet union it was impossible to get an american visa, because only in thirtythree, the United States recognized the soviet union, and in order to get an american visa, they had to go to berlin, where there was the closest opportunity, and after berlin they travel for some time around europe, waiting for the opportunity to get to america, they make a living by giving lectures and making films, in particular in 1930, just in the spring they received an offer to direct the film sentimental romance, this is a small short film that was actually ordered. They had one big businessman, so that his wife would be filmed there, and isenstein, of course, jumped at it , because he could just try it with sound , by the way, we have the opportunity to watch it, endless love, wonderful woman, mara gris, not his wife, by the way, she was actually a mistress, they just got married later, no, this is important , it seems to me, because in general this whole company, party, yes, how do we get income, where did they come from, they apparently agreed that they left, they are practically without money, alexander later said, they get 25 dollars each given, but what they are paid as business travelers in moscow goes to their families. To izenshteins mother, aleksandrovs wife, for a small child, yes, to his mother, tisa, his sister, they agreed that everything they earn goes into the common pot, well, whoever earns it, again, well, in principle, mainly in his name ezenshtein, he considers , here, of course, they also worked, yes, although on the contrary, on the one hand , this short film has such a reputation that its quite a, well, vulgar story, the girl just sits there, so that. thats all looked as beautiful and lush as possible, on the other hand, exactly, yes, glamorous, in general , then some sculptural figures appear there, these types of nature appear there, all this creates a rather ironic, in fact, context, this is recently in magazine notes there was a very interesting article, just the same which suggested the hypothesis that the whole film was invented with esensteins sense of humor, but in general this. Remains a hypothesis, since the film in general is not so much can be extracted from it, but all in the first thing that catches your eye is the prologue, because in the prologue we see exactly. Such a rhythmic sound experiment, and we can see, in fact, how isenstein actually came into contact with sound for the first time. So, thats why its important that theyre in berlin for a reason, they sat there waiting for a visa, especially since theres a story that they arrived and they were told the invitation was cancelled, they need to wait for a new invitation, they need to organize it somehow, but theyre also going to berlin to organize the european premiere of the general line, and ezenstein finally finished making the film. It took 3 years to show it, and when they arrived in europe, they realized that this also needed to be voiced, moreover, ezenstein already had a prepared dubbing plan, he knows that he has the composer Edmund Meisel there, who voiced both potemkino and october for him, he has such plans, he wants to use the termenvox, he takes the invention, this electronic Musical Instrument of the theremin lion, and assumes that they will take this machine where you type hand. Near the antenna, and you have these sounds , now higher, now lower, yes, they will take these sounds, completely unrealistic, and put it on the soviet village, instead they have to earn a living with what they have, here in france they are filming a sentimental romance, in switzerland they are making a film popularizing abortion, a film called womens misfortune, womens happiness, a hymn to the art of medicine, on which tise, in turn , works to a large extent, and after that they finally go to hollywood in 1930 on the ferry europe. But we have a small piece from the swiss film itself. By the way, where the birth is in the general plan. Its not just a woman lying, its Grigory Alexandrov lying, we know this from memories and alexandrov even has to stay in europe for a week or two, esenstein leaves with tiese, who has signed a contract with his new producer, jesse lasky from paramount goes first class on this liner, and alexander, it means there is finishing this sentimental romance, something is going there alone, moreover, his are detained in new york, izenshtei is already Walking Around the famous one and suddenly writes that grisha is on elisland, elisland is a place where those immigrants who had something wrong with their documents or where someone thought that they there is something unworthy of american society, maybe they are disabled, so they wont be able to earn any money, but they will be a burden to society, and the group that goes to hollywood, its already falling apart a little, there are some tensions in this, nevertheless, in hollywood they find themselves in a rather difficult situation, because when they are invited. Then there was a fascination with the avantgarde in fashion and they thought that they could give isenstein a try at something, hollywood was making very good money, they could take a risk, do something experimentally avantgarde and make an advertisement out of it, but when isenstein arrived, it erupted the great depression, in general, hollywood was no longer ready to take risks, they wanted to use isenshteins name, since he had already come for advertising, so they tried to offer him something commercial, absolutely, they really offered him. With a lot of stars by the way alexander, here their very discrepancy was already visible, alexandrov said that of course, lets agree and lets make a film, work with hollywood stars. Einstein reminded him that we didnt come for this, but to firstly preserve our avantgarde culture, and in order to test the sound experimentally, they first suggested the film zuttors gold, about the gold rush, where this gold, gold, gold, as it should have been repeated as such a magical spell. But in general, this idea was not met precisely because experimental in nature, due to the fact that it seems like its not suitable for a person who came from the soviet union to film about the gold rush , because it turns out that just as he will comment on american history, well , the same thing then happens with the american tragedy, it seems like they give him a Great American novel, by the same dreiser who came to visit him in moscow, they give it, well, they offer it, and he does it. A wonderful script also tries to develop his ideas there, but it turns out to be too depressing, but there are wonderful ones statements, in my opinion, by irvan thalberg, who read this, he didnt work in parramt, they sent him a comment, yes, thats what you think, so esenstein wrote to us here, and he answers, he just finished, brilliant, esenstein is a master , avantgarde artist, thats all, eh, but then my hand reached out for a glass of whiskey, we cant release such a film for our Young American boys and girls to watch, its too negative a view of our reality, its clear that esenstein who comes and wants to snore this hollywood, just as he did quickly, potemkin, lets say, yes , they came, wrote, filmed, and then went back to the soviet union, filmed there, and then returned to hollywood, such a plan initially in general, then something incredible, instead he writes script after script, they dont get accepted, they dont get accepted, they dont get accepted, and he gets absolutely depressed, he drives around, looks at all these wonderful views, he plans for zuttors gold, drives up and down california, yeah, everything sees these old cities, writes it all down, somehow imagines it all remembers, but he cant apply it, right . He communicates with the stars, and at the same time, yes, he communicates with chaplin, chaplin becomes almost the best friend in hollywood, but he does not have some kind of intellectual group around him, as there was in moscow, with whom he could communicate , yes, its somehow already difficult with grisha alexandrov , there is no one who he considers hollywood intellectuals at this moment, he communicates there with german emigrants, he communicates there with greta garba, he communicates there with marlene dittrich, yes. But there are no people around him, who would somehow support him emotionally, what saves, as it seems at first glance, is his acquaintance with another major writer, upton sinclair, who proposes to make a film about mexico, and offers himself as the creator of a fund that would raise money for the production of this paintings, and isenstein gets carried away, they go with alexander matise to mexico, it turns out that indeed, firstly, this is a unique culture, which. Itself has an indian origin, a catholic, spanish origin, and modernity is quite developed, on the other on the other hand, in mexico, an amazing coincidence arises, which they joked about back then, that here are all the best components for shooting a film, the brightest mexican sun, the best film, the american codec, the best german optics and the best cameraman, well, thats exactly what its like for shooting, yes , that is, and here, of course, it coincided, but on the other hand, of course, seriously, this is the coincidence of separate different structures, almost primitive, some of them a rudiment of such a semifeudal structure, the fact that its all at the same time, how is this by the way, was at the same time in the russian village, where he was filming the film, old and new, or the general line at the end and how was it all in his head at the same time . From einstein, because its not just like that, its around him, and he sees mexico as a projection, he writes about this of his own self, thats how he came to the country, you understand that there are ancient beliefs that seem to you to be the basis of all our thinking, there are images, there are incredible combinations of them, there is the baroqueness of these catholic churches that attract you so much, there is modernity, there is even revolutionaryism, your favorite, and on which you rose, in general, to the heights of world cinema and world. Culture, there is everything, you are in it, and how to make a film out of it . This is where the problem arises, right . Moreover, when he arrived in mexico, he returned to drawing, but can i take a selfie with you, come on, how much . 200 rubles for the construction of ships, i continue my journey through st. Petersburg and the leningrad region. Lets do a test, you say spartak, spartak. Film, did you mean to say, champion, or what . Well were in st. Petersburg . Is it true what they say that peter i invented football in the swamps, only he didnt call it football, but the construction of a northern polmira. In general, it was a window to europe. Well , im ready, youre ready, everyone is ready, this year the Vyborg Castle turns 730 years old, but why a glass elevator in a stone shaft . You go up in a glass elevator and see, but the shaft is made of stone, how can you see anything, its always so suffocating, huh . The life of its premiere, on sunday on the first and always on 1tv. Ru. Sber introduces loans with cashback. Allow yourself more. Every month return 2. 5 of the rate with sber bonuses, thank you. Hurry up to get a loan with increased cashback. Get a better deal with prime. This is ozonbank and do you have many clients here . Already more than 25 million. They also return up to 100 of the lucky ones. 25 in rubles. Spending and free card service. Yandex tv station pro. 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I havent been on vacation for a year, but theyre chilling, im working, but theyre not, what are you talking about money, i put mine in a sberbank deposit, the money works there seven days a week, just like me, i opened a deposit in sberbank, the rate is excellent and business lounges for free, get money for work, open a deposit the best percentage of Prime Ministers take advantage of all the privileges, routine distracts the department . Open a vtb current account, get a document designer, digital accounting, Legal Support and Others Services do business, not routine. Vtb we help with action. Why is the credit sbercard the most profitable in the country . Every month a new interestfree period of 120 days begins. Make purchases, get your money back. So, again again, free forever super rate from 98 . Apply online. Highlight get benefits every day. This is the ezenstein125 podcast, with you the history of cinema, natalya ryabchikova and artyom sopin. Staying in mexico really opens him up creatively, takes him to a new stage creatively and theoretically, because it is here he thinks it through, here he begins to feel more deeply this connection between theory and practice through general things, not only narrowly cinematic ones, not only editing and so on. And through the theory of perception, he begins to think about the psychology of the viewer, about the psychology of the artist, how this contact with the material is created, how this contact with the material is created, it is here that one of the most important of his later books begins to take shape, the method and the Caring Nature adjacent to it, they originated , in general, these thoughts arose, which are now so valuable and which are now being studied by cultural scientists and psychologists all over the world, specifically in mexico, because mexico gave him some kind of impulse in order to. Rethink his life in general, and because there was time, they arrived, sat there for a year and a half , they wrote off some of their ideas for the script to sinclair, again, then alexander will suggest organizing all this around some song, otherwise its the rainy season, then theyre going, suddenly theres an earthquake in ohaka, theyre going to quickly film a chronicle, thats what they driving around, getting drunk, studying, this is necessary, this is important, and esenstein was able to justify it, and theres money for it. Get it, then they start filming, its the rainy season, they are sitting, of course, he reads books, of course , he doesnt have any distractions, yes, he doesnt even need to watch films of his soviet colleagues, but he can finally express himself, including in the text , including in the drawings, he simply draws hundreds a day, these semiautomatic sketches of one line, an incredible legacy, also in many ways, automatically, that is, they take pictures, for them, its built like living mattein, they will say that the film will remain unedited, why well just say now, but it will remain unedited, because editing in a sense took revenge, that is, he was so keen on editing, but here he is not he came up with no editing techniques in advance, but here he immediately built it up to rather some of his own associative transitions, and we can see how different eras are combined as a transition, for example such an eccentric solution, this is in the day of the dead, in the finale of this plan. Here we see how negative heroes take off their masks, there are skeletons, positive heroes take off their masks, and there are living laughing faces, this is the same opposition of the living human principle and some kind of terrible suppressive machine that runs through all of his work, which we see in potemkin , which we will later see in nevsky, in general, here the structure is rather not so much framebyframe editing as a montage of certain such short stories. In particular, we can probably watch the prologue of the film, when it shows, in general, the image eternity, these are eternal stones and people eternally make their way along them. The inhabitants of the country of sacred. Huge pyramids still retained the character and form of their ancestors. Among the pagan temples, sacred cities, in the kingdom of death, where the past still dominates the present, human faces are similar to those carved from stone, for the stone figures are the image of the ancestors, the mexicans, as a symbol reminiscent of the past funeral rite, among the dead, the ruins of former monuments, with complete enslavement to the idea death, the biological, physical end of a person. It seems to me that what is important here is not only how he sees, combines everything, the entire history of mexico in these rituals, in these. Landscapes and so on, it is also important here, this attention to art, yes, here we are talking about ancient art, but isenstein is surrounded by contemporary mexican art, the same avantgarde artists there, and he also communicates, cannot help but communicate, naturally, with david siqueiros, with diego riveiro, with frida kolo, he revolves in this, in this he revolves, in this is brewing, and of course its his also feeds, but there were no such people in hollywood, or he didnt feel them, yes, he didnt see them around him, because they might be in new york. Were, in mexico everything is closer, everyone knows each other, and he is also present in this, and of course, he doesnt really want to return, sinclair is already running out of money, here he makes , it seems to me, not a very smart move, he writes to moscow , to the state duma, trying to demand money, his royalties for translations of his works, and then the story begins to unfold, when suddenly, well, maybe not suddenly, but at the next moment they remember that our main one is wandering around somewhere he is in mexico, in mexico, by the way, the tratzskyists and iznenstein have to return without finishing filming, in fact, this composition is from several short stories, about the different states of mexico, let s say, should have ended with a short story about a woman, a soldier, who follows first one revolutionary army, then another, sopata, villa, and so on, but as a result this short story should have been a kind of short story about the image of mexico as a whole through this woman, the short story was called soldadera, it was not filmed, in general , without completing the filming of the film, without editing it in any way, izenshteino goes to moscow, in moscow he hopes that they will send him material, because in general, he i assumed here too, in general, i dont mind that they will send it to him, he will edit it in moscow, then the rights will be inside the iron curtain, inside the soviet union, the rights to distribute the film will be with soviet officials. Government agencies, and throughout the rest of the world, where there is great interest in isensteins work and there is commercial potential, the rights will be with sinclair and he will thus return the money that he invested and collected, but sinclair does not believe and does not agree to send the material and decides to return the money by rolling out pieces of this material in america, giving it to other installations. In the early thirties, two fulllength short films were created, at the end of the thirties a whole series of short films, however, in the late thirties, such a journalist, near kinina dame mary sitton would make her own version, in general, well, at least she at least somehow knew ezensteins plan so her in general, the editing option is not the worst, that is, if you were an independent or semiindependent director in the thirties, you could afford to buy a little footage from einstein and edit something there yourself, the easiest way, of course, was to use the short story where the plot was worked out, magey , yes, here we have it, we can look at it too. They forgot about maria. The inexperienced girl does not know what fate awaits her, the real tragedy is that everyone could edit it, except isenshtein, it was such a system, they film, they they send them to los angeles, they have their own person in the laboratory, whom tise trusts, a russian who shows this as needed, sends them material, they see it all, but they cannot do anything about it, esenstein saw almost all the material , but he couldnt sponsor anything, he still watched a little in new york and even showed it to one of the ladies of the rockefeller family, by the way. And wrote it down in his diary, but then he goes to the soviet union, absolutely expecting that the film will follow him and that he will finish it, for the man, who created previous films in the editing room, cannot be completed, its almost a physical pain, and we know about this from his memoirs, and from the people with whom he later communicated, or he writes in his diary, hes just arrived, its spring, summer 1932, he was. Shklovsky talked about how he shot himself, mayakovsky, it was back in 1930, yes, but he seemed to have missed it, they only told him in letters. Mayakovsky shot himself because he called on the phone, wanted to talk to someone, no one answered, it seems, ezenstein writes, further he writes a pregnant cat dies in the kitchen, she cannot give birth to kittens, it seems, in general, for him, this is a trauma, it was not resolved in any way, since at the end of his life he was never able to gain access to this material at the end of his life, by the way, in 1947, he wrote how the film could be structured, given that the last short story was not made, how to structure it differently, and in the fifties there was no longer a zhivozenshtein in america, museum of modern art in new york, jay leyda, a man who started out as an avantgarde director in america, who came to the soviet union, learned from einstein, and returned. The usa promoted soviet culture there, not so much even propagandized as studied in a serious sense, that is, he popularized it, and wrote books about soviet cinema, and he just collects all the material, he goes to the museum of serenity art in new york, and leida builds Something Like what we would now call a presentation, that is, individual frames with explanations that this is for a shot, but for about eight hours, well, less anyway, and he arrives in the late fifties in the soviet union, there was already a thaw, so he can come, and he shows a movie in the house on vgik with his comments, everyone understands, that this is not a legend, that the film was made and that something needs to be done about it, in general, after this negotiations begin, and the museum of modern art in new york makes a copy for itself and leaves it, but the original, uh , the negative itself transmits to the soviet union, where alexandrov was the only one at that time