Review Aesthetics Work Group At The College Of Charleston In south-carolina, united-states
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Aesthetics Work Group At The College Of Charleston
14 Glebe St
Charleston,Others
South-carolina,United-states - 29424
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Detailed description is The Aesthetics Work Group is an interdisciplinary group of professors and students who meet periodically to discuss theoretical works about and in the arts The Aesthetics Work Group is an interdisciplinary group of professors and students who meet periodically to discuss theoretical works about and in the arts. The work is often (usually) works in progress by members of AWG and visitors from other institutions. It is led by Jonathan Neufeld in the philosophy department and is regularly attended by students and faculty from German, Jewish Studies, English, African American Studies, Music, Art, Art History, Political Science, and Psychology.. . Here is a list of AWG events since 2011:. 2016. . • “How to End: On Silence and the Unsayable in Poetry” Raena Shirali (Poetry, CofC). • “Race and Politics in American Comic Literature,” Larry Krasnoff (Philosophy and Jewish Studies, CofC). • “‘Auschwitz? You'll be saying Wowschitz!’: Holocaust comedy in American popular culture,” David Slucki (Jewish Studies, CofC). • “Leaning Into the Red: Black Feminist Responses to 21st Century Postfeminism” Robin James (Philosophy, UNC, Charlotte).. • "Nelson Goodman's Theory of Expression" Anthony Garruzzo (Philosophy major).. • "'Playing' Women: How Video Game Culture Exploits the Female Form" Shannon Haas (English/Film major).. • “Teenage Wasteland: The 1980s Teen Comedy as a Revitalized Screwball Comedy” Elaina Cole (Computer Science major).. • “Film Villains and Moral Education” Caroline Requierme (Computing and the Arts major).. • “The Quest for a Common Standard: Wittgenstein and Kant on the Rules of Art” Hanne Appelqvist (Aesthetics, University of Helsinki).. “There are No Things that are Musical Works” Drew Wyckoff (Philosophy Major, CofC).. • “Cover Songs as Critical Commentary” Brooke Klosterman (Philosophy Major, CofC) and Jonathan A Neufeld (Philosophy, CofC).. • “Activism vs. Antagonism: Socially Engaged Art from Bourriaud to Bishop and Beyond,” Jay Miller (Philosophy, Warren Wilson College).. . 2015. . • 4/28/15: "Apocalypse Within: The War Epic as Crisis of Self," Garry Hagberg (Philosophy, Bard College). • 4/16/15: “Props and Poetic Devices in Zacharias Werner’s Romantic Plays,” Amy Emm (German, Citadel). • 4/10/15: “Individual Memories, Brazilian Longings: Nostalgia, Popular Music and Television,” Dan Sharp (Music, Tulane). • 4/3/15: "Art, Authenticity and Appropriation," Rebecca Stanley (Philosophy and Political Science student, CofC). • 3/26/15: "A Civilization of Discontents: Social Media in the Golden Age of Crisis in the Humanities," Eric Jarosinski (@NeinQuarterly). • 3/13/15: "Ecomusicology and Political Protest in Appalachia," Abby Tennenbaum (Political Science student, CofC). • 2/26/15: "Liveness, media, and the overflowing carnivalesque of murga porteña," Michael O'Brien (Music, CofC). • 2/19/15: Discussion of Guy Debord's Society of the Spectacle. • 2/6/15: "Participatory Culture and Performative Process in René Pollesch's Theater," Morgan Koerner (German, CofC). • 1/22/15: discussion of Jacques Rancière's "Aesthetics As Politics". . . 2014. . • 11/21/14: "Make It Funky; Or, Music’s Cognitive Travels and the Despotism of Rhythm," Paul Taylor (Philosophy and African AmericanStudies, Penn State). • 11/7/14: “Philosophy in Song,” Ayala Asherov-Kalus (Songwriter, Music, CofC). • 10/16/14: Title TBA, Margaret Moore (Philosophy, University of Tennessee). • 10/10/14: “Reading Danto’s Red Squares as a Political Thought Experiment, Or, ‘Catching the Conscience of our Kings,’” Lydia Goehr (Philosophy and Music, Columbia University). • 9/18/14: “How to be an Optimist about Aesthetic Testimony,” Rachel McKinnon (Philosophy, CofC). • 8/29/14: “Paleostructure: Biological, Spiritual, and Architectural Evolution at the Oxford Museum,” Nathaniel Walker (Art History, CofC). • 4/11/14: "The Concept of Freedom in Sartre and Adorno," Stefan Koester (Philosophy/Economics student, CofC). • 4/3/14: "Like Themselves: Personhood, Intellectual Disability and the Utopian Imagination," Claire Curtis (Political Philosophy, CofC). • 3/28/14: "Ethical Ideals in Artworks: Schopenhauer and Murdoch on SelfLossness in Aesthetic Experience," Scott Clifton (Philosophy, CofC). • 3/17/14: Violin and Piano Recital: Troy Gardner and Elizabeth Korelse. • 3/13/14: "Poetry After Auschwitz," Johannes Wich-Schwarz (German, Maryville University). • 2/17/14: "The Aesthetics of Affirmative Action," Brian Soucek (University of California, Davis School of Law). • 1/31/14: "Bad Art and the Mere Exposure Effect," Jennifer Wright (Psychology, CofC) and Jonathan Neufeld (Philosophy, CofC). • 1/17/14: "Mirror Neurons and Simulation Theory: A Neurophysiological Foundation for Cinematic Empathy," Dan Shaw (Philosophy, Lock Haven University). . 2013. . • 11/15/13: "Games, Striving and Topologies of Choice," Thi Nguyen (Philosophy, Utah Valley State University via Skype). • 10/4/13: Introduction to inauguaral issue of Urban Cultural Studies, Ben Fraser (Spanish, CofC). • 9/19/13: "A Social Ontology of Art," Mathew Rabon (Philosophy student, CofC). • 9/5/13: "Affect in German Theater after the Performative Turn: Elfriede Jelinek’s Theater Texts in Performance," Morgan Koerner (German, CofC). • 4/12/13: Discussion of "Bach Defended Against his Devotees" by T. A. Adorno.. • 2/22/13: Discussion of Chapters 3-4 of Philosophy of the Performing Arts, by David Davies.. • 2/14/13: Roundtable discussion of The Lives of Animals with Jonathan Neufeld (Philosophy, CofC), Simon Lewis (English, CofC), and Ornaith O'Dowd (Philosophy, CofC). • 2/6/13: Discussion of Chapters 1-2 of Philosophy of the Performing Arts, by David Davies.. . 2012. . • “Lisa Sanditz and the Suburban Sublime,” Jennifer Baker (Philosophy, CofC). • Public Lecture, "Cover Records as Social Commentary," Ted Gracyk (Philosophy, MN State, Moorhead). • “Why Birds Don’t Make Music,” Ted Gracyk (Philosophy, MN State, Moorhead). • Public Lecture, “Participatory Art,” Michael Kelly (Philosophy, UNC, Charlotte). • "Participatory Art and Aesthetics," (AWG meeting) Michael Kelly (Philosophy, UNC, Charlotte). • “The Transgender Gaze in Film,” Richard Nunan (Philosophy, CofC),. • Discussion of “Living Takes Many Forms,” by Shannon Jackson and “Microutopias: Public Practice in the Public Sphere,” by Carol Becker. • Discussion of “Living as Form,” by Nato Thompson and “Eventwork: The Fourfold Matrix of Contemporary Social Movements,” by Brian Holmes.. • “Participation as Spectacle: Where Are We Now?” by Claire Bishop and -“Democratizing Urbanization and the Search for a New Civic Imagination,” by Teddy Cruz. . 2011. . • “Metaphor and Metaphysics in Zhuangzi," Tyler Ray (Philosophy and Religious Studies student, CofC). • “The Norms of Nature Appreciation,” Glenn Parsons (Philosophy, Ryerson University, Toronto). • Discussion of “Interaction and Nature Appreciation,” by Robert Stecker.. • “Tibetan Poetry in Exile,” Amberjade Mwekali (Philosophy student, CofC ). • “Emotional and Ethical Expression in Music,” Jonathan Neufeld (Philosophy, CofC) Aesthetics Work Group at the College of Charleston is a private schoool located in , charleston of south-carolina,united-states.
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