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Aesthetica Magazine - Reframed Moments
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The Daily Heller: I Wish I Had Done That!
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The Vanished Glamour of Midcentury Print Media
Great examples of photography and editorial design abound at the Jewish Museum. (Catch the catalog, too.)
The Vogue cover of March 15, 1945, features a blurred model behind a frosted glass panel emblazoned with a red cross, photographed by Erwin Blumenfeld and art-directed by Alexander Liberman. It is “scary and sad to think that no mainstream fashion title would now publish a cover this bold,” our critic says.Credit.Erwin Blumenfeld, via Condé Nast
April 29, 2021
In a city whose news kiosks have become glorified chewing gum emporiums, where the Grand Central newsstand shelves are overtaken by chips and phone chargers, one of my few remaining happy places is Casa Magazines. It’s a hole of a shop on the corner of Eighth Avenue and 12th Street, and every wall and every inch of floor heaves with obscure, international fashion and design publications, for a dwindling class of print lovers. (I still remember, when I founded a magaz
Exhibition explores how photography, graphic design, and magazines transformed mid-century American visual culture
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Click through the newly unveiled research archive before seeing MoMA’s ambitious new Calder show.
March 12, 2021
Les Masques (1970). Gouache and ink on paper cartoon for Aubusson tapestry. © 2021 Calder Foundation, New York / Artists Rights Society (ARS), New York.
An ambitious exhibition that tries to get its arms around the breadth of Alexander Calder’s output is opening at the Museum of Modern Art this weekend. That’s no easy task, it turns out.
Just look at the Calder Foundation’s newly unveiled online research archive, the digital home of hundreds of photographs, documents, works of art, and other materials related to the American sculptor much of it previously unpublished or otherwise rarely seen and all of it free to access.