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Blum & Poe exhibits a suite of twenty abstract paintings by artist Kenjirō Okazaki

Blum & Poe exhibits a suite of twenty abstract paintings by artist Kenjirō Okazaki Kenjiro Okazaki, Corn and Summer Wheat/急き立てられた土地所有, 2020. Acrylic on canvas. 6 1/4 x 8 x 1 1/2 inches framed © Kenjiro Okazaki, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo. LOS ANGELES, CA .-Blum & Poe is presenting Tokyo-based artist Kenjirō Okazaki’s TOPICA PICTUS / La Cienega, a suite of twenty abstract paintings, each paired with a short essay and reference image(s), which function as key components to provide multi-layered experiences to audiences. This is Okazaki’s fourth presentation with the gallery and follows the recent announcement of his representation.

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David Zwirner opens an exhibition of works by Francis Alÿs

a href= https://www.davidzwirner.com target= blank David Zwirner /a is presenting an exhibition of works by Belgian-born, Mexico-based artist Fra

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An Introduction to Yayoi Kusama – Look Closer

Her early years Yayoi Kusama was born in 1929, the youngest daughter of family from the mountainous region of Matsumoto in central Japan. Kusama s family; Yayoi is second from the right Courtesy Yayoi Kusama Studio, Inc Her family made their living from the cultivation of plant seeds. There is still a plant nursery on the site of Kusama’s childhood home. She had a conventional upbringing, and when Kusama began to express enthusiasm in making art, her family were not wholly supportive. Her mother in particular discouraged her young daughter’s dreams of becoming a professional artist, trying to steer her instead towards the conventional path of a traditional Japanese housewife. But Kusama’s persistence was strong. When her mother tore her drawings away from her, Kusama made more. When she could not afford to buy art supplies, she used materials she found around the home.

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ArtAsiaPacific: Obituary Tatsuo Ikeda19282020

by Emika Suzuki TATSUO IKEDA. Photo by Gallery 58, Tokyo. Image via Instagram. Tatsuo Ikeda, a pioneering Japanese artist who depicted the horrors of war with images of disquieting creatures, passed away on November 30 from aspiration pneumonia, aged 92. His death was first reported on December 7 by An influential figure of Japan’s postwar political art that emerged during the 1950s, Ikeda satirized the atrocities of war in his earlier works, as well as the United States’ presence in Japan and the Japanese government’s abuse of power at the time. This was exemplified in ink drawings such as 10,000 Count (1954), depicting grotesque fish mutated due to an American nuclear bomb test at Bikini Atoll. Similarly,

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