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Jeannie Kenmotsu, Ph D , appointed as Asian Art Curator of Portland Art Museum

Jeannie Kenmotsu, Ph.D., appointed as Asian Art Curator of Portland Art Museum Jeannie Kenmotsu, Ph.D. Photo: Courtesy of Portland Art Museum. PORTLAND, ORE .-The Portland Art Museum announced that Jeannie Kenmotsu, Ph.D., has been appointed as the Arlene and Harold Schnitzer Curator of Asian Art. Dr. Kenmotsu, who joined the Museum’s curatorial staff in 2017 as Japan Foundation Assistant Curator of Japanese Art and was promoted to Associate Curator in 2019, has also been serving as Interim Head of Asian Art since the retirement of Dr. Maribeth Graybill in October 2019. “I am thrilled about Dr. Kenmotsu’s appointment to this position,” said Director and Chief Curator Brian Ferriso. “Having already worked with Jeannie for a number of years, I am incredibly impressed with her exceptional art historical knowledge that she combines with her passion for the art of today. It is a wonderful and rare combination that will serve our Museum and community in many meaningful and ex

Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   by Doreen Carvajal (NYT NEWS SERVICE) .- For more than 70 years, Léone Meyer’s family has fought to reclaim a looted painting, and yet she cannot bear the thought of displaying it in her Left Bank home, across from the River Seine. The small work, by Camille Pissarro, shows a shepherdess tending her flock, and hangs not far away at the Musée d’Orsay, with other precious French impressionist paintings. But the peaceful countryside scene from 1886 is fraught with a backstory of plunder, family tragedy and legal battles that stretch from Paris to Oklahoma. Meyer’s mother, grandmother, uncle and brother died in Auschwitz. Her father hid the painting in a French bank that was looted in 1941 by the Nazis, and the work vanished in the murky universe of art market collaborators and middlemen. Decades later, in 2012, she discovered the whereabouts of “La Bergère,” or “Shepherdess Bringing in Sheep,” in the Fred Jones Jr. Museum of Art, at th

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