comparemela.com

Latest Breaking News On - ஸ்டீவன்சன் கேலரி - Page 1 : comparemela.com

my whole body changed into something else is more an inquiry than an exhibition

Curated by Sisipho Ngodwana and Sinazo Chiya, the gallery aims to stage a place where questions about being, belonging and embodiment can be proposed, interrogated, watched and reflected back.

The Back Room: A Post-Auction World

The Back Room: A Post-Auction World
artnet.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artnet.com Daily Mail and Mail on Sunday newspapers.

This world that we live in: Meschac Gaba on globalisati

Citoyen du Monde, one is almost immediately confronted by the Globalloon. Impressively sized (just about scraping the ceiling of Stevenson Gallery, Cape Town, and spanning at least a quarter of the room), the immense plastic globe is loud in both its bright veneer and its sonic presence. The noise of the pump that keeps it round and full of air is reminiscent of primary school birthday parties and the promised fun of a bouncy castle. Its low rumble can be heard from every corner of the gallery.  This is fitting because the world seen by Meschac Gaba, the conceptual artist behind the work featured in this ambitious survey show (and its prequel,

The painful feeling that connects us: artist Penny Siop

The word “shame” is defined in the Merriam-Webster dictionary as “a painful emotion caused by consciousness of guilt, shortcoming or impropriety” or, “a condition of humiliation, disgrace or disrepute”. The South African use of the word, however, holds this connotation as well as another, unique meaning. “Shame man, poor guy,” one might exclaim, when hearing some bad news about a friend or relative. It’s the equivalent of saying “I feel for you”, a heartfelt expression of empathy for someone else’s embarrassment or hard times. Further, the Afrikaans word for shame is “ siestog”, which also has a dual meaning, “

The racialised reality of photography: Past Present

From its very inception, the practice of photography has been imbued with racialised prejudices and biases; to accept this as a fact is imperative in understanding the work that photographers of colour, such as those included in Past Present Currents, an exhibition that opened at Cape Town’s Association for Visual Arts Gallery gallery in mid-April (closing at the end of May), do to reappropriate and subvert the photographic medium. Before photography, image making was largely done by artists who would draw or paint what they saw. While some were extremely skilled at lifelike renderings, the invention of photography captured life in unprecedented accuracy.

© 2024 Vimarsana

vimarsana © 2020. All Rights Reserved.