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A report says that a Bundesliga striker has convinced Arsenal manager Mikel Arteta to consider a transfer move for him following his first career hat-trick.
This is the cinema of Wake in Fright, Picnic at Hanging Rock, Priscilla: Queen of the Desert, The Overlanders, Jedda, Welcome to Woop Woop, Walkabout, Sweet Country, The Nightingale and so many more of our best and boldest films, each ruminating on the environment and the natural world in their own ways. Although Fury Road was actually shot in Namibia (not the director’s first choice of location), it’s very much part of this movement – taking place in the narrative world on the same sun-scorched plains as the previous three Mad Max movies.
The series so far follows a linear timeline, depicting a world increasingly degraded and destroyed culturally, politically and environmentally. This timeline can be observed aesthetically as well as in narrative terms. In the original film, most elements of society still function (the police, capitalism, etc) and the colour of the tableau reflects this, dominated by earthy brown (shrubs and parched land), greys (lots of shots of roads) and w