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Exhibition presents works by artists who use the language of Minimalism and abstraction
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The fourth Mediterranean Biennale presents works by 60 international artists in public spaces across Haifa and Sakhnin Valley. The exhibition joins art world superstars, rising stars and emerging voices from countries that are rarely seen in Israeli museums and galleries, including Iran, Afghanistan, Turkey and Bahrain.
In response to the pandemic, curators Avital Bar Shay and Belu-Simion Fainaru, in collaboration with the Wizo Academic Center, have titled the event “Living Together - Crossing Borders,” reflecting issues of solidarity and interpersonal interaction in the cityscape at a time of social distancing and isolation. In Haifa, one of the few mixed cities in Israel, the stitches that hold the fabric of everyday life are bound by complicated, conflicting realities experienced by various diverse communities. Negotiating fraught relationships against an already tense background, the Biennial was put to an even greater test during the brief-yet-deadly conflict between Israel
Winds of Change
The output of young artists in the Arab world is clear evidence that young people here have for a long time been grappling with prevailing social conditions in their particular nations. Observations by Charlotte Bank
Many in Europe have been surprised by the revolutions in the Arab world and the key role played in these by young people. For too long, the West has been accustomed to seeing this part of the world represented by authoritarian regimes and backward, traditional societies.
The fact that Arab youth has long broken out of this straitjacket was quite simply overlooked on many counts. The old rulers with their antediluvian rhetoric and backward world view faced a generation of highly educated young people – people who have, as a matter of course, embraced the digital modes of communication that have emerged in the late 20th and early 21st centuries.
In a Bracing Exhibition at the Guggenheim, Artists Challenge the Way History Is Told
Ashley James’s group show “Off the Record” exemplifies how curators with strong vision might reform institutions from within.
Leslie Hewitt,
Reviews - May 28, 2021
When Sadie Barnette was a kid growing up in Oakland, California, her father didn’t talk much about his time in the Black Panther Party. It’s possible he simply had other things to say. Rodney Barnette, who is now in his late seventies, has lived an uncommonly fascinating life. Born and raised in one of the oldest Black communities in the Boston area, he got involved in community organizing early on, followed the teachings of Malcolm X, was drafted into the army, earned a Purple Heart in Vietnam, took a job with the US Postal Service, joined the anti-war movement, took some time off to read W. E. B. DuBois and Karl Marx, helped the national campaign to free Angela Davis, and opened the first Black-owned gay bar in San Franc
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