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«The Cool and the Cold» im Berliner Gropius Bau | Freie Presse

«The Cool and the Cold» im Berliner Gropius Bau | Freie Presse
freiepresse.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from freiepresse.de Daily Mail and Mail on Sunday newspapers.

The Cool and the Cold im Berliner Gropius Bau

The Cool and the Cold im Berliner Gropius Bau
tlz.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tlz.de Daily Mail and Mail on Sunday newspapers.

«The Cool and the Cold» im Berliner Gropius Bau

«The Cool and the Cold» im Berliner Gropius Bau
weser-kurier.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from weser-kurier.de Daily Mail and Mail on Sunday newspapers.

Quinn s to auction boutique selection of rare and collectible posters, prints and works on paper, - Artwire Press Release from ArtfixDaily com

FALLS CHURCH, Va. – Northern Virginia’s Quinn’s Auction Galleries will conduct a Thursday, July 15 auction featuring a boutique selection of rare and collectible posters, prints and works on paper. The expertly curated sale featuring 145 high-quality lots will commence at 2 pm ET. All bidding will be remote, either by phone, absentee online through Quinn’s website, or live via the Internet through LiveAuctioneers.   Posters chosen for the auction include designs by Keith Haring, J.C. Leyendecker and Louis John Rhead. One of the category’s highlights is James Montgomery Flagg’s (American, 1870-1960) iconic depiction of Uncle Sam pointing a finger, with the message “I WANT YOU FOR U.S. ARMY – NEAREST RECRUITING STATION.” Created in 1917 and published by Leslie Judge Co., New York, it has a framed size of 42 by 31½ inches. The pre-sale estimate is $4,000-$6,000.

Art Beat: The Artist s Studio

A conversation with Ken Freed “I was a student of printmaking, and there was a French artist, Félix Hilaire Buhot (1847-1898). He started this thing of making these gorgeous prints,” Freed says. “Then he did all kinds of little drawings and things in the margin. I really liked the informality that it brings to prints, having margins in the plate itself that you can write on or draw pictures on. And so I adopted that for this series.”Freed visited the New York studios of Lowell Nesbitt, Jasper Johns, Claes Oldenburg, Philip Pearlstein, Louise Nevelson, Richard J. Haas, William S. Haney, Stephen Woodburn, Hiroshi Murata, and Robert Indiana. Their studios ranged from the modest to the luxurious. The grandest of all belonged to Nesbitt.

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