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Lola Arias arbeitet in Ich bin nicht tot mit Rentnern aus Hannover
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Daily Times
April 29, 2021
Manchester International Festival (MIF), returns from July 1-18 with a vibrant programme of original new work from across the spectrum of visual and performing arts and music by artists from over 20 countries
Artists include Angélique Kidjo, Akram Khan, Arlo Parks, Aaron and Bryce Dessner, Boris Charmatz, Cerys Matthews, Christine Sun Kim, Cillian Murphy, Deborah Warner, Forensic Architecture, Ibrahim Mahama, Kemang Wa Lehulere, Laure Prouvost, Marta Minujín, Lemn Sissay and Patti Smith
Events will take place safely in indoor and outdoor locations across Greater Manchester, including the first ever work on the construction site of The Factory, the landmark cultural space that will be MIF’s future home.
Cillian Murphy, a Big Ben sculpture and dancers on Deansgate head up Manchester International Festival 2021 programme
The festival s full programme for this summer has been revealed
Updated
Festival Square will move to Cathedral Gardens (Image: LOUIS REYNOLDS)
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The full programme of events for this year s Manchester International Festival has been revealed, including new work from Cillian Murphy and a giant sculpture of Big Ben in Piccadilly Gardens.
summary
Staging Lives in Latin American Theater: Bodies, Objects, Archives examines twenty-first-century documentary theater in Latin America, focusing on important plays by the Argentine director Vivi Tellas, the Argentine playwright and director Lola Arias, the Mexican theater collective Teatro Línea de Sombra, and the Chilean playwright and director Guillermo Calderón. Paola S. Hernández demonstrates how material objects and archives photographs, videos, and documents such as witness reports, legal briefs, and letters come to life onstage. Hernández argues that present-day, live performances catalog these material archives, expanding and reinterpreting the objects’ meanings. These performances produce an affective relationship between actor and audience, visualizing truths long obscured by repressive political regimes and transforming theatrical spaces into sites of witness. This process also highlights the liminality between fact and fiction, questioning the verac
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