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Turu, Centro e Cidade Operária são os bairros com mais números de casos da Covid-19 em São Luís

Turu, Centro e Cidade Operária são os bairros com mais números de casos da Covid-19 em São Luís
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NOS SGPS S A : 23-04-21 - NOS informs on Manager Transactions - Amendment

parish of Lumiar, 1600-404 Lisbon Registration number before the Companies Registrar of Lisbon Manager Transactions (Amendment to the Announcement published on 9 April 2021) Translation of the Portuguese Original (In the event of any discrepancy, Portuguese Original shall prevail) Lisbon, 23 April 2021 Pursuant to the terms of article 248-B of the Portuguese Securities Code (Código dos Valores Mobiliários) and article 14 of CMVM Regulation no. 5/2008, NOS, SGPS, SA Luís Moutinho do Nascimento, Manager.

Can Brazil s remote workers thrive outside big cities?

Can Brazil’s remote workers thrive outside big cities? By Raphael Tsavkko Garcia22nd January 2021 The pandemic has led many to swap urban living and working for more rural environments. But what happens when you try to do it in a developing nation? L Leonardo de Azevedo decided to move to the countryside with his wife and two small children in May. The family ended up in a rural area, Lumiar, near the city of Nova Friburgo, about 150km (93mi) from the Brazilian city of Rio de Janeiro, where Azevedo works in the public prosecutor’s office. The idea was to get closer to nature, allow the children more freedom and seek greater security against the pandemic. 

signs and symbols opens a photography exhibition by Jen DeNike and Pola Sieverding

signs and symbols opens a photography exhibition by Jen DeNike and Pola Sieverding Installation view. NEW YORK, NY .-signs and symbols is presenting we tell ourselves stories in order to live, a two-person lens-based photography exhibition by Jen DeNike and Pola Sieverding. The exhibition reflects on storytelling; the artist’s lens becomes the ink that captures her fantastic stage and experiences in time. “We tell ourselves stories in order to live. We look for the sermon in the suicide, for the social or moral lesson in the murder of five. We interpret what we see, select the most workable of the multiple choices. We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the ideas with which we have learned to freeze the shifting phantasmagoria which is our actual experience.” —Joan Didion, The White Album, 1979.

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