Hash Halper, street artist who adorned New York with hearts, dies at 41
The artist Hash Halper in New York, Feb. 6, 2018. Halper, who became a beloved fixture in New York neighborhoods like SoHo and the East Village for bringing positivity to a harsh city with his humble shards of chalk, died on June 11, 2021. He was 41. Kholood Eid/The New York Times.
by Alex Vadukul
(NYT NEWS SERVICE)
.- Sometime around 2014, little hearts drawn in chalk mysteriously began appearing on the streets of downtown Manhattan. Some materialized in clusters on sidewalks, while others cascaded along blocks. The hearts inevitably faded away, but for New Yorkers who encountered them, they offered a respite from the harshness of city life.
The Space Race encapsulates both the best and the worst of aspects of U.S. history. On the one hand, there is humanity’s drive to learn and explore. All space programs have no choice but to celebrate the wonders of mathematics, physics, and engineering. (To put this into ’80s film terms: no matter how jock-ish an image an astronaut wants to put forth, it’s still nerds who get us into space.) Space exploration doesn’t just raise the possibility that humanity will find new homes across the galaxy, but it also leaves technological innovation in its wake.
But there’s still that other hand. The Space Race of the 1950s and 60s was the result of intense hatred and fear between the U.S. and the Soviet Union. Many of the early aims of the program were baldly militaristic rather than scientific. At least one of the leading engineers was a former Nazi. And as idealistic as NASA was, it still enforced rigid racial and gender lines, refusing to allow qualified women to train as astrona