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The Atlantic The show has a tradition of white artists dedicating their awards to their Black peers who lost. Kevin Winter / Getty One year into fussing with Zoom backgrounds, who can’t relate to Megan Thee Stallion and Cardi B twerking in front of a digital wallpaper of purses, diamonds, big-rig trucks, and the rappers’ own faces? At last night’s Grammys, two of hip-hop’s top talents put on a digital-meets-physical hallucination that turned out to be the best entertainment of the night. A stiletto heel doubled as a stripper pole. Cardi and Megan cavorted in a bed as big as a house. Their backup dancers had blue skin. In disrupting the self-seriousness of a major awards show, the trippy performance was kind of like the most wonderful pandemic meme, courtroom cat, but with a lot more choreography. ....
Big Sean’s Detroit 2 was immediately a huge topic of conversation when it was released in September 2020. Fans had been waiting on a project of this magnitude from Big Sean since 2017, and he truly delivered. From start to finish, there is not one song on this 21-track project that we would consider skipping. Overall, the project felt personal like we were listening to an evolved Big Sean rediscover himself. His mature, reflective lyrics, melodies, tone, cadences even the features sounded intimate and carefully chosen. On this album he invited both familiar, A-list artists, like Eminem, Lil Wayne, Travis Scott, Ty Dolla $ign, Post Malone, Anderson .Paak, Diddy, Young Thug, and of course, his girlfriend, Jhene Aiko. The first song, “Why Would I Stop?” sets the tone from the jump, dropping the clever one-liners we expect from him as well as deep, complex, thought-provoking ones that we hear throughout the rest of the album. From there, Big Sean takes us on a bit ....