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Pirosmani: Vom Malen besessener Außenseiter (nd aktuell)

Pirosmani: Vom Malen besessener Außenseiter (nd aktuell)
nd-aktuell.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from nd-aktuell.de Daily Mail and Mail on Sunday newspapers.

Ancient and unique Uzbekistan – Karakalpakstan

Please note that the posts on The Blogs are contributed by third parties. The opinions, facts and any media content in them are presented solely by the authors, and neither The Times of Israel nor its partners assume any responsibility for them. Please contact us in case of abuse. In case of abuse, Living in Israel, I have never heard of trips to Karakalpakstan, an amazing country that sometimes seems undiscovered and partially unknown to many travel lovers. Visiting places on the territory of the South Aral Sea region, your gaze as travelers will cover various directions of ecological, historical, ethnographic, gastronomic, and pilgrimage character. Today, this potential is practically unknown to foreign travelers, since for many years of the post-Soviet times the region was practically closed to foreign citizens. The reference books contain the scantiest information about the republic. And for this reason, a visit to Karakalpakstan, of course, can be exclusive for a foreign

Premium prezzies for print fanatics

Good for Futura-ists The Futura typeface celebrated its 90th birthday this year and Futura: The Typeface, a “stunning examination of one of the most popular typefaces ever created”, has been published in homage. Inspired by simple geometric forms, designer Paul Renner created Futura in 1927 as a clean-lined, modern take on classical typefaces and it was immediately popular. The book traces the face’s story from its Bauhaus origins through to its appearance on the moon, for the text of a plaque to mark the first landing in 1969. Futura: The Typeface is written by Petra Eisele, professor of design history and design theory at the University of Mainz, Annette Ludwig, director of the Gutenberg Museum, and Isabel Naegele, professor of typography at the University of Mainz.

Fakery and the Russian avant-garde | Apollo Magazine

At first glance, they might be identical. Two orange lozenges leaning out of shards of blue. Two paintings purportedly by the same artist. But look a little closer, and you’ll start to notice differences. The one on the left seems clunkier, its gradations in colour less subtle. The palette seems reduced, the brushwork less varied and interesting. The one on the right is Painterly Architectonic (1917) by Liubov Popova, a cubist and suprematist painter who lived a brief and active life in early 20th-century Moscow. The one on the left is a fake. The paintings have been on show in ‘Russian Avant-Garde at the Museum Ludwig: Original and Fake – Questions, Research, Explanations’ (currently closed due to Covid-19 restrictions; due to run until 7 February 2021), an attempt by this museum in Cologne to answer questions about its collection. The field of the ‘Russian avant-garde’ – paintings made from the late 1890s through to the early 20th century – is especially prized b

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