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Why John Lydon and the Sex Pistols hate each other
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What s on TV this weekend: The BBC looks back on Glastonburys of yore
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David Quantick - Record Collector Magazine
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In 1991, punkâs zenith â the filth and the fury of 1978 â was only 13 years past, but it already felt like a lifetime ago. Already mythologised, as pop culture lore quickly tends to be, the story of the gloriously perverse movement produced by Britainâs disgruntled suburbs (and those who told it with an increasingly nostalgic bent) needed a kick in the teeth to stop the navel-gazing. That kick came in the form of
Englandâs Dreaming, a clear-eyed cult cultural history by the journalist Jon Savage. The clear-eyed book tore down some of the shibboleths left over from the era, but it also got to the heart of what made the scene so raw and explosive â if only so briefly.
Last modified on Thu 27 May 2021 12.55 EDT
There was a time the very thought of Cruella would have been met with outrage. I know this because I would have been outraged. Of all subcultures to be hijacked by Disney, 70s London wasteland punk is surely the most heinous.
Now? Well, what punk could even mean in 2021 is open to offers. While Disney releases Cruella â a pop blockbuster filtered through $200m of corporate compromise â Danny Boyle is making Pistol, a TV adaptation of the memoir of the Sex Pistolsâ Steve Jones. And yes, one of these instinctively feels more punk than the other. And yes, it is Cruella.