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In the third decade of the new millennium, despite many publishers still seeing black women’s writing as having a limited market, readers have far more access than before to publications by writers from the global South. In particular, the perspectives of black women are certainly more visible in the public domain. Yet gaps and erasures – based on intellectual authority, financial resources and visibility in the knowledge commons – mean that it’s still easier for work by black, postcolonial and decolonial feminists from global centres to secure publication and wide distribution. As a result, the growing audience of radical young readers grappling with questions about race, gender, sexuality and freedom in global peripheries often have to turn to critical writing outside their national contexts, which inflect the topics they want to explore. Even for many restless and radical readers in the global North, much remains silenced and absent.

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