Spoilers
Previously, after rumors spread on campus that Kim So Bin (Kang Min Ah) and Yeo Joon (Park Ji Hoon) are dating, the two faced numerous troubling situations. In particular, their department seniors Han Jung Ho (Lee Woo Je) and Oh Cheon Gook (Yoo In Soo) used Kang Min Ah to increase their festival pub sales, causing Yeo Joon to become enraged. Yeo Joon got covered in wounds after getting caught up in a fight to protect Kim So Bin, and the two kissed after confirming their feelings for one another.
After becoming an official campus couple, Kim So Bin will face another dangerous situation. In the newly released stills, Kim So Bin is sitting down somewhere with a clueless and unaware expression. Meanwhile, the other students are gathered together in one location to check a shocking truth through someone’s phone.
Another comedy show with one of the famous hosts in the Korean entertainment, Lee Su Geun will be having his very own show, Lee Soo Geun: The Sense Coach, where he will have a creative and live engagement with the audience. This will be his first stand-up special after almost 25 years of being in the industry.
What series are you looking forward to watch? Tell us in the comments!
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Published February 25, 2021, 5:57 PM
(Clockwise from top left) ‘The Silent Sea,’ ‘Hellbound,’ ‘D.P.,’ ‘Love Alarm 2,’ ‘So Not Worth It,’ ‘Kingdom: Ashin of the North’ and ‘Kim Minyoung’ (Netflix)
Video streaming giant Netflix is aggressively expanding its presence in Korea as it unveiled its plans to produce more K-dramas and movies this year.
Netflix held its “See What’s Next Korea 2021” presentation on YouTube on Feb. 25 wherein it revealed its roadmap to bring more Korean content to its global audience.
Kim Minyoung, Netflix’s vice president for Korea, Southeast Asia, Australia and New Zealand, said so far, Netflix has invested more than 770 billion won (about $694 million) in Korean content. Of the 200 Netflix Original content, 80 are Korean.
At a regional presentation, Netflix revealed that it had accumulated 3.8 million paid memberships in the country at the end of 2020. That tallies with recent estimates published by analysis firm Media Partners Asia and equates to a penetration rate of approximately 20% of Korean households.
The nearly $500 million production figure also means that South Korea may account for close to half of Netflix‘s estimated $1 billion Asia-Pacific content budget.
That figure may be justified by increasing overseas audiences for its increasingly diverse lineup of Korean content. “Audiences around the world are falling in love with Korean stories, artists, and culture,” Kim Minyoung, VP of content for Korea, Southeast Asia, Australia and New Zealand, said in a blog posting. “The K-Wave, or Hallyu as we call it here in Korea, is a huge moment of national pride and we’re proud to be part of it.”