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Get the Look: Kranium s Block Traffic featuring Rytikal
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Health Minister Sparks Viral Hashtag Exactly One Year After Kranium s Gal Policy Debut: #LetThatSinkIn – DancehallMag
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Kranium
For a long time Jamaicans have validated, and in so doing spread, the idea that artists native to the country need to break out locally or risk not breaking internationally. This has remained so for a long time because the so-called theory had not been tried and tested to its limits, until recently.
In 2013, Dancehall artist Kemar Donaldson of a New York address was really beginning to make waves with this fresh track titled
Nobody Has To Know. Eventually, the track became a smash hit selling over 39,000 copies in 2015, and the world had its first formal introduction to Kranium. Nowadays the Mobay native goes by Melody Gad, and for good reason given the string of hits singles released since then, including
Patrick wins big at the 2021 Ensors
Kevin Janssens with his Ensor Award for Best Actor in a Feature Film, for
Patrick (© Ensors)
film profile], which had been the favourite for the Ensor Awards, has proven the predictions right by winning seven gongs, including Best Film, Best Director and Best Screenplay. Mielants’ first attempt thus proved to be a masterstroke for him.
Patrick is a unique, and very Belgian, tragicomedy about a solitary forty-something man who suffers two tragedies in quick succession: the loss of his father, and the loss of his favourite hammer. Somehow, he will have to cope, while taking over the management of the naturist campsite that he has just inherited, and which is the object of countless desires…
31 market premieres to screen at the Rendez-Vous with French Cinema in Paris
Playlist by Nine Antico
Scores of cinemas around the world might still be closed on account of the health crisis (resulting in a huge number of films awaiting release and the prospect of hefty backlogs once movie-theatres are eventually given the green light), but the ability of film industry professionals to look to the future, not to mention the appeal of French films, both remain fully intact, as evidenced by the mighty battalion of 800 buyers, hailing from 59 countries, who have signed up for the 23rd Rendez-Vous with French Cinema in Paris, which will this year unfold online, between 13 and 15 January, under the aegis of UniFrance (steered by Executive Director
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