Berry Campbell is pleased to present its first exhibition of Frederick J. Brown since announcing the representation of his estate in 2020. This groundbreaking exhibition curated by .
BERRY CAMPBELL PRESENTS RAYMOND HENDLER: RAYMOND BY RAYMOND (PAINTINGS 1957-1967)
NEW YORK, New York
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RAYMOND HENDLER: RAYMOND BY RAYMOND (PAINTINGS 1957-1967)
NEW YORK, NEW YORK, June 29, 2021âBerry Campbell is pleased to announce its fourth exhibition of paintings by Raymond Hendler (1923-1998).Â
Raymond Hendler: Raymond by Raymond (Paintings 1957-1967)Â features paintings created between 1957 and 1967, a transitional period for Hendler in which the artist moved away from an Abstract Expressionist mode and employed a more stylized line, producing distinct shapes and symbols. The exhibition is accompanied by a 16-page catalogue with an essay written by Phyllis Braff.Â
Berry Campbell is pleased to present its first exhibition of Edward Zutrau (1922-1993) since announcing the representation of his estate in 2019. After studying and reviewing this important oeuvre, the gallery decided to dedicate its first exhibition to his abstract expressionist paintings from the 1950s. This will be the first exhibition held of Zutrau’s work since his death in 1993.
Edward Zutrau: Mandarin (Paintings from the 1950s) opens at Berry Campbell, New York, on June 3, 2021 and continues through July 2, 2021.
ABOUT THE ARTIST
An artist for whom life and art were intertwined, Edward Zutrau (1922-1993) worked with dedication, energy, and intensity throughout a long career lasting from the 1940s through the early 1990s. While he resided mostly in Brooklyn and Manhattan, his travels had an important impact on his creative development, especially the five years he spent in Japan, where his art received a significant amount of appreciation and recognition. Blending p
PRESS RELEASE FOR IMMEDIATE RELEASE BERRY CAMPBELL PRESENTS EDWARD ZUTRAU: MANDARIN (PAINTINGS FROM THE 1950s) NEW YORK, NEW YORK, May 20, 2021 Berry Campbell is pleased to .
Berry Campbell is pleased to present
Lilian Thomas Burwell: Soaring. This exhibition marks the esteemed Maryland-based artist’s first solo exhibition in New York. The exhibition title,
Soaring, is an homage to the late Dr. David Driskell’s essay,
Soaring With a Painterly Voice, written on the occasion of Burwell’s 1997 survey exhibition at Hampton University Museum, Virginia. Driskell described Burwell’s work as, “transcendental in showing stylistic diversity of earthly beauty and cosmic vision.”
Lilian Thomas Burwell: Soaring, organized by guest curator, Melissa Messina, highlights the dynamic transition in Burwell’s abstract visual language from two-dimensional painterly planes to three-dimensional sculptural forms. Burwell’s paintings from the late 1970s and early 1980s employ a distinctly bold palette and reference organic forms found in natural floral and earthly phenomena. The exhibition centers on the painting