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Elly on the Arts: Flin Flon-area artists win big at regional show, poetry night and remote concert

The past week or so has seemed almost normal here in Flin Flon, with all of the events we have to report on. The Northern Juried Art Show had its opening in The Pas.

Music in Austin this fall: A guide to more than 250 concerts

Music in Austin this fall: A guide to more than 250 concerts
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Elly on the Arts: Flin Flon-area artists win big at regional show, poetry night and remote concert

BONUS: Matt Heckler On Touring With Flogging Molly & More

This is No Cover, a production of KOSU and Oklahoma State University and hosted by Matthew Viriyapah. Listen above to hear the episode. You can find the previous episode with Matt Heckler here. With the way times are progressing, young people are just getting angrier and angrier. So you gotta learn three chords and you got someplace to put that anger. Punk music is a useful tool in society these days. On going to Ireland and then touring with Flogging Molly I was supposed to go to Ireland and then all of a sudden I get the Flogging Molly tour offer. So I went for five nights, and literally flew in, met Anthony, shot the video it was freezing cold.

It s Always Good To Slow Down : Fiddle Player Matt Heckler On Self-Recording His Raw & Dark New Album

While difficult, the pandemic was an unexpected blessing for North Carolina musician Matt Heckler. With the unexpected time and rest, he was able to record his latest album, Blood, Water, Coal, which debuted at number three on the Bluegrass Billboard chart. But what he plays isn t exactly what you would call bluegrass. Ask anyone around here if I m playing Appalachian old style, they ll say no. I have a very weird style. This is No Cover, a production of KOSU and Oklahoma State University and hosted by Matthew Viriyapah. Listen above to hear Matt Heckler talk about his style of folk music which takes influence from places like Ireland, Appalachia, and Romania, and also slowing down in the last year to self-record his latest album.

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