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South Island settles in for level 4: That s the sacrifice we ve got to make :
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The making of Luke Shaw – and why Gareth Southgate is his perfect manager
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Occupying Iraqi forces were retreating from the country, 208 days after Saddam Hussein’s invasion
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Sara Akbar
But for Sara Akbar, there was no relief. The 33-year-old chemical engineer in the Kuwaiti Oil Company watched the sky turn black as night with smoke as her entire industry burned, and with it, all hopes for Kuwait’s oil-dependent economy, not to mention the environment.
“Personally, we didn’t participate in the celebrations of the liberation,” she says.
“In the last days of the occupation, we ventured out to see our offices burning. So we went to work in our colleague’s home and started to put the plans together.”
We all know 2020 wreaked havoc upon those who entertain us.
The musicians and actors, the music venues and theater companies. Jobs and gigs were lost. Shows were canceled. Entire seasons were slashed.
But was there some gold in the rubble? For artists, the urge to create can’t be dampened. So people found other ways to perform and present their work, including creating outdoor stages and learning the skills necessary to produce virtual concerts and productions.
Nobody knows the future, or when they might return to pre-pandemic performances on an indoor stage with healthy-sized audiences. It could be well into 2021 and perhaps not even until fall, or 2022.
The Springs Ensemble Theatre is offering audiences beleaguered by excessive holiday cheer a dark and terrifying respite with a powerful digital performance of
Dr. Jekyll and Mr. Hyde. Robert Louis Stevensonâs famous tale of a doctor whose cruel and violent alter ego wreaks havoc on a hapless population has been unleashed via on-demand streaming and is available through Sunday, Dec. 20.
Performing a decidedly creepy play in the midst of a season devoted to all things holly and jolly wasnât SETâs original plan. The show was set to open in the far more fitting month of October until the uncertainty of the pandemic made the ensemble change course. While the change created new challenges, the upside is that audiences who have had enough
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