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Destroy Blood-Based Racism, Jew-Hatred Ends
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Thursday, 27 May at 8.30pm
Three Murri Comedians and one burning question – what is Murri Humour? This is a yarn that’ll have you in stitches as it takes you on a journey of First Nations humour, direct from the mouths of the mob in South East Queensland – Murri’s! Always Blak, Always Cracked will showcase the uniqueness and authenticity of First Nations humour from a Murri perspective, which comes from community and oral storytelling, and will explore the collective natural ability that enables Aboriginal and Torres Strait Islander peoples to tell a humorous yarn like no other. The documentary will draw on First Nations comedic talent to explore the diversity of humour expressed throughout the community, whether that be style or genre, and reflect on the humour with comedy practitioners about the origins of telling a First Nations funny yarn, answering the questions – Where does our comedy come from? Is it still authentic given the world we live in today and the many aven
Kaushik Patowary
Apr 1, 2016
9 comments
Stretching from north to south across Western Australia, dividing the entire continent into two unequal parts, is a flimsy barbed-wire fence that runs for a total length of 3,256 km. The fence was erected in the early 1900s to keep wild rabbits out of farm lands on the western side of the continent. Today, the Rabbit Proof fence, now called the State Barrier Fence, stands as a barrier to entry against all invasive species such as dingoes, kangaroos and emus, which damage crops, as well as wild dogs which attack livestock.
Rabbits were first introduced in Australia in 1788 for their meat, and originally bred in rabbit farms and enclosures, until one October morning in 1859, when an English settler by the name of Thomas Austin released twenty-four wild rabbits on his property so that his guest could entertain themselves by hunting. At that time he had stated that the introduction of a few rabbits could do little harm and might provide a touc
Aboriginal and Torres Strait Islander readers are warned that this story contains discussion of people who have died.
You could be forgiven for assuming that having every single cinema and film set closed for over six months would render any list of this year’s best Australian movies a slightly truncated one, the only possible upside being an accompanying dearth of ‘worst films’.
But while popcorn and choc top sales dipped alarmingly, there was no shortage of homegrown cinematic excellence, even if most of it never reached an actual big screen.
Depending on your viewpoint, the streaming behemoths are either providing life support for motion pictures by chucking big bucks at every single script they see, or downloading the final nail into the box office coffin as the lounge becomes the default location for movie viewing.
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