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Midtown Pickers will share songs at Cohen s Retreat in Savannah GA
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28 July 2021
The 1968 shows recorded on Jimi Hendrix s reel-to-reel will be released as part of the Joni Mitchell Archives collection - Listen to The Dawntreader now
Joni Mitchell in Toronto in 1968
(Image credit: Doug Griffin/Getty Images )
Joni Mitchell is to release a two-set live performance recorded by Jimi Hendrix at a Coffee House in Ottawa, Canada, in 1968.
The recording was captured on March 19, 1968 at Le Hibou Coffee House in Ottawa, Ontario during a two week residency by Mitchell ahead of the release of her debut album,
Song To A Seagull, which came out just four days later.
Earlier the same evening, Jimi Hendrix had performed at the Capitol Theater, just over a kilometre away. The guitarist had spoken to Mitchell and noted his plans to record her performance in his diary, writing Talked with Joni Mitchell on the phone. I think I’ll record her tonight with my excellent tape recorder (knock on wood). hmmm. can’t find any wood. everything’s plastic. (Se
You Can Close Your Eyes – The Echo
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We have talked about how popular singer-songwriter albums became in 1971 and today we look at one of those that exploded early in the year. James Taylor and Carole King were friends. They played together in the studio and in concert. And they both were at the forefront of the singer-songwriter movement of the early 70âs when more and more people craved the introspective music of a songwriter singing their own songs. We already visited Caroleâs classic âTapestryâ in one of these dispatches and today we look at an LP, released about the same time, Mud Slide Slim & The Blue Horizon, from James Taylor. Released in April of 1971, Taylorâs 3rd album will always be attached at the hip to Tapestry. Taylorâs LP reached #2 on the charts, kept from the top spot by Kingâs classic. It also produced his only #1 single, a cover of Kingâs tune âYouâve Got A Friendâ that also appears on Tapestry. Taylorâs version won a Grammy for best
Five decades later, she can still remember the high points, like meeting a few Beatles, encountering Mick Jagger or a very young Michael Jackson in the studio, or sharing a bill with Tina Turner. And she can also recall the precise moment when she decided to shut it all down, at least for a long while.
It was the summer of 1971, and Kate Taylor along with her siblings, especially her older brother James was having a moment. Earlier that year, Atlantic Records had released her first album,
Sister Kate. The record boasted contributions from Carole King, Linda Ronstadt, John Hartford, and, naturally, James. The album hadn’t been the breakout hit that James’
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