Певицу Марину Максимову, известную как МакSим, недавно перевели из реанимации в обычную палату. Как сообщил представитель артистки, врачи предписали звезде постельный режим.
Призывы президента США Джо Байдена к ОПЕК+ быстрее возвращаться к доковидным объемам добычи нефти вряд ли будут услышаны – слишком многие риски на рынке до сих пор актуальны. ПРАЙМ, 12.08.2021
In McCartney 3,2,1, Paul Reveals the Secrets Behind the Beatles Songwriting Sucess
Even the most devoted Beatles fans will learn something new from the Hulu docuseries. Jul 18, 2021
The Beatles were first and foremost a studio band. They famously quit touring in 1966 following a performance at San Francisco’s Candlestick Park during the height of Beatlemania. It was just as well for the lads from Liverpool because the group was truly at its best, and arguably
its worst too, when they were left to tinker with their toys at Abbey Road; to create songs without consideration for how they might be able to reproduce them in a live setting.
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Paul McCartney in concert in Miami in July 2017. (Gustavo Caballero/Getty Images)
Paul McCartney, now 79, has not been a Beatle for more than 50 years. Any fears that time and familiarity may have withered his excitement for the songs he wrote as a young man is quickly dispelled in the new three-hour docuseries
McCartney 3,2,1, which captures the music icon in conversation with legendary producer Rick Rubin while listening to the band’s original master tapes, specially retrieved for the purpose from Abbey Road.
It’s a simple format that sparks magic.
Take, for example, one of the series’ most delightful moments. McCartney tells the story of seeing trumpeter David Mason play a piccolo trumpet during a BBC broadcast of a Bach concerto and deciding he’d be perfect for a solo on “Penny Lane”. The tale is one thing – the inside story of how an incredibly familiar piece of music came to be – but McCartney’s reaction to hearing
Photo by Central Press/Getty Images
Case in point. Come Together by the Beatles which is actually taken from Chuck Berry s You Can t Catch Me
Here Berry performs the song after an intro by Alan Freed in the 1956 movie Rock, Rock, Rock . Berry sings about his brand new airmobile which is so fast that you can t catch him. Berry goes on to tell the story of driving on the New Jersey Turnpike in the wee wee hours, rolling slowly cause of drizlin showers
He goes on to sing a line very familiar to Beatles fans Here come a flat-top which is very similar to the Here come old flat top opening of Come Together