The Past, Present, and Future of Per-Title Encoding
Maya Angelou once said, You can t really know where you are going until you know where you have been, and so it is with per-title encoding. What began as a one-dimensional data rate adjustment that reflected the simple reality that all videos encode differently is now a complex analysis that incorporates frame rate, resolution, color gamut, and dynamic ranges, as well as delivery network and device-related data. Along the way, video quality metrics (VQM) have advanced as well, as needed to supply the quality-related data that feeds the per-title algorithms. In this article, I ll review the history of per-title encoding technologies to provide the perspective to understand what features to look for when choosing a technology and/or service provider.
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In an exclusive interaction with India Today Tech, Arun Babu - Head of Electronic Imaging and Optical Device - Fujifilm India said that smartphone makers are in a way helping camera companies by creating more photographers who naturally want to upgrade to cameras after a while.
M. Emre Celebi
M. Emre Celebi, professor and chair of the Department of Computer Science at the University of Central Arkansas, was elected as a 2021 fellow with SPIE, the international society for optics and photonics.
Celebi was among 57 members elected as new fellows of the society, joining fellow member colleagues in being honored for their technical achievements, as well as for their service to the optics and photonics community and to SPIE.
SPIE fellows are members who have made significant scientific and technical contributions in the multidisciplinary fields of optics, photonics and imaging. Since the society’s inception in 1955, nearly 1,600 SPIE members have become fellows.