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Exhibit features life-size sculpture made from cameras
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Little Wars The author reflects on his own connection to a 1982 film about Lebanon’s civil war that continues to resonate today.
The first time we see Nabil Srour, the war photographer, chronic liar, and part-time drug dealer affectionately known as Abou el Nobol, he is running across sniper fire in Beirut to get American journalist Mitch Dubin “the shot he needs.” Nabil (played by Nabil Ismaïl) is one of three main characters in
Little Wars (1982), by Lebanese filmmaker Maroun Bagdadi (currently available for streaming on Netflix). Bagdadi is perhaps Lebanon’s best-known director, a cinematic chronicler of the nation’s debilitating civil war (1975–1990) who committed himself to the subject in all of his five features. In effect, Bagdadi’s filmic project
From Cherry to Fast 9, How Camera Operators Deliver Action
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Whether it’s filming a major musical number or epic action sequence, camera operators are responsible for the media audiences consume.
Camera operator Mitch Dubin’s 17th film with director Steven Spielberg is the upcoming “West Side Story.” The musical presented Dubin with opportunities to harness new techniques, such as wearing an earpiece to listen to the score while filming.
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“Normally, you take your cues visually, but in a dance film like [this] if I wait for the visuals of a dancer leaping in the air, I would be late,” explains Dubin. “I had to have the music to understand exactly when [to move and focus].”
Legion Star Dan Stevens Reflects on X-Men Series Finale
Legion wrapped up it s critically-acclaimed run on FX, showing the journey of David Haller as he discovered his mutant abilities amid an ongoing feud between his birth father Charles Xavier and the malevolent entity Amahl Farouk AKA the Shadow King. Now series star Dan Stevens is opening up about his time in the Marvel Universe and the series ending, which takes the character that seemed to be destined for villainy and instead gives him a fresh start unencumbered by the influences that drove him mad.
During an interview with Collider, Stevens opened up about his time on
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