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The early days of Maltese conceptual art

In the 21st article in a series on 20th century artists who shaped Maltese modernism, Joseph Agius explores the world of Caesar Attard. The art of Caesar Attard (b. 1946) is difficult to define due to its complexity and idiosyncratic evolution. Attard investigates the opposites, the dualities; experimentation is an integral part of his game. His art, conceptual, inquisitive and ephemeral, is very much in touch with the general world around him, be it technological breakthroughs, sociopolitical considerations as well as the introspectively personal. Caesar Attard Attard, born in Żejtun just after World War II, is the sixth of seven children. He enjoyed a happy but cocooned childhood amid a genuine Catholic rural upbringing and a parental encouragement to pursue his artistic studies; his parents realised that their young son demonstrated a precocious aptitude at drawing. His brothers all found employment at the dockyard and followed in their father’s footsteps. The young Caes

MFPA celebrates 50th anniversary

In the early 1970s, an eminent architect, Roger Degiorgio, shared his idea of setting up a federation for professional organisations, with John Chadwick, then director of the Commonwealth Foundation. The latter immediately gave his full support to this concept and on February 19, 1971, the Malta Federation of Professional Bodies was born, changing its name to Malta Federation of Professional Associations (MFPA) in 1999. It was founded by seven members, five of which are still active today: Kamra tal-Periti, Dental Association of Malta, Malta Institute of Accountants, Medical Association of Malta and Malta Association of Electrical Engineers, which later joined other engineering disciplines and formed the Chamber of Engineers.

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