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Photo: Google Maps Ford Wheeler first went to Every Thing Goes in 1997. He was working as the production designer for James Grey’s first film, Little Odessa, and had heard from someone  he can’t remember who  that there was this vintage furniture store on Staten Island that had everything and for cheap . This proved true. “They had all kinds of stuff, and not just furniture,” he says. “Things anyone else would throw away. Curtains, sheets, dishes, old phones. They’d sell anything they got their hands on. But, you know, it was odd.” That oddness manifested in a variety of ways. Though the place was overflowing, it was exceptionally, unusually organized. “Every item was measured, placed in a plastic bag, and tagged,” he says. “They had a system to track the customers, too  every time you’d go upstairs, you’d hear ‘customer moving to floor two’ over a walkie-talkie.’” And the employees “had this policy about truth or straight

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