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Infinite es una versión de la disputa entre Eros y Tánatos con aires de tecno-thriller, persecuciones espectaculares y una vertiginosa puesta

Infinite es una versión de la disputa entre Eros y Tánatos con aires de tecno-thriller, persecuciones espectaculares y una vertiginosa puesta
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Infinite Film Review: Mark Wahlberg Action-Thriller Overspends and Underwhelms

‘Infinite’ Film Review: Mark Wahlberg Action-Thriller Overspends and Underwhelms Cars and planes blow up real good in a film that feels like everybody’s paycheck project Elizabeth Weitzman | June 10, 2021 @ 12:01 AM Peter Mountain/Paramount+ If you’ve ever wished that video games could look more like real life or that real life could look more like video games Antoine Fuqua is here to fulfill your fantasies. Many of the actors in the Paramount+ release “Infinite” might as well be avatars; You can picture the green screens as you’re watching the complicated set pieces, and there is no emotional investment required or even requested. But it delivers what it promises, in the form of expensive spectacle.

12 Great Female-Directed Vampire Movies

12 Great Female-Directed Vampire Movies Twitter 0 comments While vampire stories find their roots in gothic literature, and early vampire films are mostly calibrated as horror, modern vampire stories can be found in a myriad of genres. You’ll also find that vampire films tend to be highly eroticized, and thus often filled with a great deal of male gaze. With this in mind, I present twelve vampire films from a variety of different genres, each directed by a woman. The male gaze is gone, but the eroticism remains mostly intact! (For more of Nerdist Vampire Week, click here!) The Velvet Vampire, 1971 (dir. Stephanie Rothman)

Lost Souls movie review & film summary (2000)

Lost Souls possesses the art and craft of a good movie, but not the story. For a thriller about demonic possession and the birth of the antichrist, it s curiously flat. Strange, how a trashy Satanic movie like End of Days is filled with a fearful intensity, while this ambitious stab at the subject seems to lack all conviction. All through the movie I found myself thinking about how well it was photographed. Not a good sign. Winona Ryder stars as Maya Larkin, a woman who was once possessed by the devil. Now she teaches children at a church school. One day her former exorcist squad summons her to the cell of a serial killer (John Diehl) who is also possessed. He s in torment, Father Lareaux (John Hurt) tells her, the way you were when I met you. The exorcism goes so badly that Hurt is hospitalized and the victim goes into a coma.

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