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Oral History Project: Dindga McCannon - BOMB Magazine

Oral History Project: Dindga McCannon - BOMB Magazine
bombmagazine.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from bombmagazine.org Daily Mail and Mail on Sunday newspapers.

Review: Alison Saar s poetic chronicles of Black womanhood

Review: Alison Saar s poetic chronicles of Black womanhood
latimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from latimes.com Daily Mail and Mail on Sunday newspapers.

I Got to Be the Artist I Wanted to Be : Sculptor Maren Hassinger on What Success Looks Like for a Black Artist in America

I Got to Be the Artist I Wanted to Be : Sculptor Maren Hassinger on What Success Looks Like for a Black Artist in America
artnet.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artnet.com Daily Mail and Mail on Sunday newspapers.

Major exhibition dedicated to Senga Nengudi opens in Philadelphia

Major exhibition dedicated to Senga Nengudi opens in Philadelphia Installation view of the exhibition, “Senga Nengudi: Topologies.” Photo courtesy of the Philadelphia Museum of Art. Photo by Timothy Tiebout, 2021. PHILADELPHIA, PA .-The Philadelphia Museum of Art is the only East Coast venue for a major traveling exhibition devoted to Senga Nengudi, a leading figure of the 1970s Black American avant-garde and a pioneering artist of our time. Marked by her innovative use of everyday materials that range from water and sand to pantyhose and air conditioning units, Nengudi’s work bridges the mediums of sculpture and performance, offering a cross-disciplinary investigation into the personal experiences of the Black female body and the collective practices of community and ritual. Senga Nengudi: Topologies traces the expansive range of the artist’s career and context from the 1970s to today through a combination of more than 70 artworks, including sculptures, environmental install

Jessica Lynne on art and historically Black colleges and universities

IN A SMALL GALLERY on the second floor of Virginia’s Hampton University Museum hangs Henry Ossawa Tanner’s The Banjo Lesson. A young boy sits in the lap of his grandfather, learning to play the titular instrument, the pair surrounded by the evidence of life lived: clothes hung in the background, a loaf of bread and a white pitcher on a table, cooking pots at their feet. Color and shadow blend exquisitely to create a subtle glow that is cast onto the pair together at the fireside.Tanner is widely regarded as the most important Black American artist of the nineteenth century, and this 1893 oil

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