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Warner Music s Earnings & the Industry s Future
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Whether it’s a less than amicable split with their former band or an unfulfilled urge to pursue a different path of musical creativity, the biggest names in the metal world have tried going solo at one point. However, it takes a certain caliber of artist to hold up a career under their name alone, whether it’s a long-term departure from their status quo or a temporary break to fill a career gap.
Many have tried, but few have succeeded in creating a name for themselves without the bands that got them there. We’ve gathered the 15 best solo metal careers that made a difference to the metal landscape around them, from
Heather’s murder scene is undoubtedly straight from
Scream. Everything from her talking to her killer on the phone (albeit without the odd mind games) to her running as he comes from behind her for the fatal stab in slow motion is a nod to the classic teen horror flick. The homage continues with Heather pulling Ryan’s mask off to see his familiar face, much like Casey Becker did during her final moments. Of course, there are differences, including us actually seeing the killer’s face and his death shortly after, but its cool to see
Scream inspiring new horror films 25 years later. In a way, it makes this killer an original because if these events took place in the same universe, then
Two Big Reasons Why Netflix s Fear Street Trilogy Trailer Has Me Excited For The Horror Flicks
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Riding a wave of popularity from the immense popularity of their 1992 album,
La Sexorcisto: Devil Music Volume One, White Zombie should have been on top of the world as they approached the recording of
Astro-Creep: 2000 - Songs of Love, Destruction and Other Synthetic Delusions of the Electric Head, which was released on April 11, 1995. In reality, the band members were completely at odds.
Being on tour for too long and dealing with pressure to match the success of
La Sexorcisto caused a rift between Rob Zombie and bassist Sean Yseult, who ended their romantic relationship even before beginning the
Astro-Creep: 2000. In addition, Zombie hired keyboardist Charlie Clouser and drummer John Tempesta to make the music more industrial, forcing Yseult and guitarist J. Yuenger to write riffs over electronic rhythms instead of creating them from scratch, as they had done in the past. The more Zombie took the reigns, the further tensions escalated.
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